the vitamin b12 | Musicosity

the vitamin b12

Yasunao Tone

YASUNAO TONE (刀根康尚) was one of the first Japanese artists active in composing "events" and improvisational music. He has been active in the Fluxus movement since 1962 and has also been an organizer and participant in many important music and performance groups such as Group Ongaku, Hi-Red Center, Team Random (the first computer art group organized in Japan). Primarily a composer, Tone has worked in many media, creating pieces for electronics, computer systems, film, radio and television, as well as environmental art.

Read more about Yasunao Tone on Last.fm.

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Paul Rooney

Artist Paul Rooney was born in Liverpool in 1967, and trained at Edinburgh College of Art. Paul’s practice focused from 1997 to 2000 on the music of the ‘Rooney’ CD’s and performances. Rooney achieved an appearance in John Peel’s Festive Fifty in 1998, and a ‘Peel session’ in 1999. Paul now primarily works with text, sound and video, focusing on the ‘voices’ of semi-fictional individuals, and using or referencing narrative forms such as short stories, songs, audio guides and sermons.

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Thomas Brinkmann

Thomas Brinkmann (born 1959) is a highly regarded German producer of experimental music. Although experimenting with records since the early eighties, he gained wide reputation with his re-workings of material by fellow artists Mike Ink and Richie Hawtin released in the second half of the 90s. These productions were made by playing physically modified vinyl records on highly customized turntables with an additional tone arm.

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Yeshe

Singer, songwriter and multi-instrumentalist Yeshe is a world nomad having lived in over 20 countries and embedding himself in their music and culture. His first solo album is titled World CitiZen. Born in West Germany, Yeshe was passionately interested in other cultures, especially Africa, from early childhood. As a young teenager Yeshe became involved in the flourishing 70s African music scene and by the age of 14 Yeshe was performing with a variety of percussion ensembles.

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Dot.AY

Dot.AY is Alex Yabsley from Brisbane Australia.
He makes music that tries to be both experimental and accessible through this desire he stumbled upon chiptunes and creating music with Gameboys and lo-fi toys.
Since then he has been writing music as much as possible and performing live, most recently in a variety of support shows for the following artists: Crystal Castles, Girl Talk and Dan Deacon Website: http://dot-ay.com
Myspace: www.myspace.com/dotaymusic

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Lol Coxhill

AKA Lowen Coxhill
Born: 19-Sep-1932
Birthplace: Portsmouth, Hampshire, England Lol Coxhill became active in the jazz scene as a teenager, when he began organizing club events with both live and recorded music in 1947. His interests were temporarily put on hold at the beginning of the 1950s by an invitation to spend some time with the Royal Air Force, but he made up for lost time throughout the rest of the decade, playing in a wide variety of ensembles and genres.

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Luigi Nono

Luigi Nono (29 January 1924 - 8 May 1990) was an Italian composer. He studied at the Venice Conservatoire where he became acquainted with . (He married Arnold Schönberg's daughter Nuria in 1955). He became a leading composer of instrumental and electronic music. In 1950, he attended the "Ferienkurse für neue Musik" in Darmstadt, where he met composers such as Edgard Varèse and Karlheinz Stockhausen. Works from this first period include: Polifonica-Monodica-Ritmica (1951), Epitaffio per Federico García Lorca (1952-1953), La victoire de Guernica (1954) and Liebeslied (1954).

Read more about Luigi Nono on Last.fm.

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David Behrman

David Behrman (born Salzburg, Austria, August 16, 1937) is a US composer and the producer of Columbia Records' Music of Our Time series. He was also a founding member of the Sonic Arts Union. He toured with the Merce Cunningham Dance Company and has worked with Ben Neill. He was a part of Robert Ashley's Music with Roots in the Aether interview series. He is known as a minimalist composer. His music has often involved interactions between live performers and computers, usually with the computer generating sounds triggered by some aspect of the live performance...

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