avant garde

American indie rock and avant-garde musician, composer and producer Jim O'Rourke has been a key component in the increasing overlap of the American and European experimental music avant-garde, working in everything from jazz and rock to ambient and electro-acoustic and building many a bridge in between. A Chicago native, his work has found equal luck with experimental jazz and noise fanatics, chill room denizens, and bedroom experimentalists, and has had the resultant effect of cross-pollinating many otherwise isolated compositional communities.

UnKindness Of Ravens (UKOR) calls themselves "the grand exposition of musical scribble." It is a group that experiments with new sound, improvisation, and the creative exposition of emotion not present in many experimental groups. UKOR's music delves into the avant garde by way of flirting with influences from the space rock, jazz, blues, gothic, entheogenic, and world scenes. UnKindness Of Ravens (UKOR) was formed in 1991 as an experiment with unconventional sound construction.

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Evoken is a funeral doom metal band from Lyndhurst, New Jersey, USA, one of the earliest U.S. doom/death metal bands that are still active today along with Novembers Doom and Rigor Sardonicous. Evoken are highly inspired by the Australian band Disembowelment. The band name Evoken is taken from the Thergothon song found on Fhtagn-nagh Yog-Sothoth. The band was founded by guitarist Nick Orlando and bassist Rob Robichaud under the name Funereus in April of 1992 and released a demo which sonds like extremely slow, dark brutal death metal with super deep growls.

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Morton Feldman (born January 12, 1926, died September 3, 1987) was an American composer. He is best known for his instrumental pieces which are frequently written for unusual groups of instruments, feature isolated, carefully chosen, predominantly quiet sounds, and are often very long. Feldman was born in New York City. He studied piano with Madame Maurina-Press, a pupil of Ferruccio Busoni, and later composition with Wallingford Riegger and Stefan Wolpe. He did not agree with many of the views of these composition teachers, and he spent much of his time simply arguing with them.