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composer

André Caplet

André Caplet (November 23, 1878 – April 22, 1925) was a French composer and conductor. Caplet was born in Le Havre, Normandy. He was a friend of Debussy and he orchestrated part of Debussy's Le Martyre de Saint-Sébastien (Bernac 1978, p. 221; Orledge 2003). He also collaborated with Debussy in the orchestration of La Boite a Joujoux. In 1911, Caplet prepared an orchestration of Debussy's Children's Corner, which, along with his orchestration of Clair de Lune from the Suite bergamasque is probably the most widely performed and recorded example of his work.

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Sarah Hopkins

Sarah Hopkins is a unique Australian composer-performer, highly acclaimed for her visionary music and inspiring performances for cello, harmonic overtone singing, handbells, choir and the celestial Harmonic Whirlies of her own creation. With a strong background and training in classical music, over the years she has moved into the realm of holistic music and developed a very distinctive compositional voice.

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Tommy Smith

Tommy Smith (born 27th April 1967) is a Scottish jazz saxophonist, composer, and educator. Smith grew up in the Wester Hailes area of Edinburgh, and was encouraged to learn the tenor saxophone from the age of twelve onwards. At the age of sixteen, he obtained a scholarship to study at Berklee College of Music; there he joined Gary Burton's group. He has become one of Scotland's leading jazz musicians and composers...

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George Gershwin

George Gershwin (September 26, 1898 – July 11, 1937) was an American composer. He was born Jacob Gershowitz in Brooklyn, New York to Russian Jewish immigrant parents, the second of four children. George wrote most of his vocal and theatrical works together with his elder brother lyricist Ira Gershwin. Gershwin composed both for Broadway and for the classical concert hall. He also wrote popular songs with success.

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Johannes Maria Staud

Johannes Maria Staud (born Innsbruck, 17 August 1974) is an Austrian composer. Staud studied with, amongst others, Brian Ferneyhough and Michael Jarrell. He gained a publishing contract with Universal Edition in 2000, and since then has won numerous prizes, including a special music prize of the Austrian Republic (2001)[1], the composition award of the Salzburg Easter Festival (2002)[2]and the Paul Hindemith prize of the Schleswig-Holstein Music Festival (2009)[3]. His Apeiron.

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Alfred Newman

Alfred Newman (March 17, 1900 – February 17, 1970), was a major American composer of music for films. In 1939, Newman began a twenty-one year career as music director for 20th Century-Fox Studios. He composed the familiar fanfare which accompanies the studio logo at the beginning of Fox's productions. At Fox, he also developed what came to be known as the Newman System, a means of synchronising the performance and recording of a musical score with the film. The system is still in use today.

Read more about Alfred Newman on Last.fm.

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Thomas Ades

Thomas Adès (born in London, 1 March 1971) is a British composer, pianist and conductor. Adès studied piano with Paul Berkowitz and later composition with Robert Saxton at Guildhall School of Music and Drama, London. After attending University College School, he graduated in 1992 from King's College, Cambridge, studying with Alexander Goehr and Robin Holloway. His degree was classified as "double starred first", indicating outstanding academic distinction.

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Mark-Anthony Turnage

Mark-Anthony Turnage (born June 10, 1960 in Corringham, Essex) is an English composer of classical music. He has also been strongly influenced by jazz, and by Miles Davis in particular. Turnage's music has a characteristic personal style, with strong rhythmic thrust, involved jazz harmonies, colourful orchestration with prominent use of percussion, and hints of various orchestrational sounds from Duke Ellington to 1970s TV detective series theme tunes. He enjoys the reputation of being one of the few modern classical composers who can write 'proper modern jazz'.

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Ottorino Respighi

Ottorino Respighi was born in Bologna, Italy. He was taught piano and violin by his father, who was a local piano teacher. He continued studying violin and viola with Federico Sarti at the Liceo Musicale in Bologna, composition with Giuseppe Martucci, and historical studies with Luigi Torchi, a scholar of early music. In 1900, Respighi went to Russia to be principal violist in the orchestra of the Russian Imperial Theatre in St Petersburg during its season of Italian opera; while there he studied composition for five months with Rimsky-Korsakov.

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