minimalism | Musicosity

minimalism

William Basinski

William Basinski (Houston, 1958), a New York-based classically-trained clarinetist and saxophonist, specializes in compositions for loops and drones. He began experimenting with compositions for piano and tape that created a melancholy ambience via looped and overdubbed melodies with Variations - A Movement in Chrome Primitive (1980), released on Variations - A Movement in Chrome Primitive (Durtro, 2002 - Die Stadt, 2004), and A Red Score in Tile (1979), released on A Red Score in Tile (3 Poplars, 2003).

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Michael Nyman

Michael Nyman (born March 23, 1944) is a British minimalist composer, pianist, librettist and musicologist, perhaps best known for the many scores he wrote during his lengthy collaboration with the British filmmaker Peter Greenaway. Nyman, who had studied with the noted Baroque music scholar Thurston Dart at King's College london, drew frequently on early music sources in his scores for Greenaway's films: Henry Purcell in The Draughtsman's Contract and The Cook, The Thief, His Wife & Her Lover, Heinrich Ignaz Franz von Biber in A Zed and Two Noughts...

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Nik Bartsch's Ronin

"There are two paths a samurai can walk: that of a clan member, and that of a ronin, a free warrior." The ZEN-FUNK quintet RONIN was founded in 2001, consisting of Nik Baertsch (composition, piano, fender rhodes), Kaspar Rast (drums), Björn Meyer (bass), Andi Pupato (percussion) and Sha (bass- and contrabass clarinet). Their RITUAL GROOVE MUSIC consistently follows the same aesthetic vision under various instrumental guises: creating the maximum effect by minimal means.

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Alan Tomlinson

Alan Tomlinson was born in Manchester and studied trombone at the City of Leeds College of Music. He has been actively improvising since the early 1970s and was a member of I.L.E.A's Cockpit Theatre Music Ensemble, Tony Oxley's Angular Apron, Barry Guy's London Jazz Composers Orchestra and the Ballet Rambert Orchestra. He works with musicians including Jon Corbett, David Toop, Phil Minton and Paul Hession and has toured all over Europe and as far afield as North America and Siberia.

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Glenn Branca

Glenn Branca (born October 6, 1948 in Harrisburg, Pennsylvania) is an composer and guitarist. Branca studied theater at Emerson College in Boston in the early 1970s. While there, he began experimenting with sound as the founder of an experimental theater group called Bastard Theater. He moved to New York in 1976. His first encounter with the NYC music scene was with the N.DoDo Band whom he observed many times at their rehearsal space- Phil Demise's Gegenschein Vaudeville Placenter. This is where he first met jeffrey lohn who was playing electric violin with the N.

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Aufgang

Aufgang is the reunion of 2 acoustic grand pianos and electronics. Performers are: Rami Khalifé and Francesco Tristano (pianists) and Aymeric Westrich (programming, sampling, drums). The epic tale of Aufgang starts with the new century in the star city of the New World. Rami Khalifé and Francesco Tristano met in the year 2000 in New York where they were both studying the piano at the very prestigious Juilliard School.

Read more about Aufgang on Last.fm.

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Absent Without Leave

Absent Without Leave is the solo project of George Mastrokostas, based in Athens, Greece.
Recording everything himself or sometimes with assistance from some good friends, he produces a sound that has at times been described as a mix of shoegaze, post-rock, ambient and electronica.
To date, he has released his music on labels such as Distant Noise Records (uk), Unlabel (uk), Chat Blanc Records (canada), Awkward Silence Recordings (uk), Thisquietarmy Records (canada)...

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Morton Feldman

Morton Feldman (born January 12, 1926, died September 3, 1987) was an American composer. He is best known for his instrumental pieces which are frequently written for unusual groups of instruments, feature isolated, carefully chosen, predominantly quiet sounds, and are often very long. Feldman was born in New York City. He studied piano with Madame Maurina-Press, a pupil of Ferruccio Busoni, and later composition with Wallingford Riegger and Stefan Wolpe. He did not agree with many of the views of these composition teachers, and he spent much of his time simply arguing with them.

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