20th Century Classical | Musicosity

20th Century Classical

André Caplet

André Caplet (November 23, 1878 – April 22, 1925) was a French composer and conductor. Caplet was born in Le Havre, Normandy. He was a friend of Debussy and he orchestrated part of Debussy's Le Martyre de Saint-Sébastien (Bernac 1978, p. 221; Orledge 2003). He also collaborated with Debussy in the orchestration of La Boite a Joujoux. In 1911, Caplet prepared an orchestration of Debussy's Children's Corner, which, along with his orchestration of Clair de Lune from the Suite bergamasque is probably the most widely performed and recorded example of his work.

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Sally Beamish

Sally Beamish (born 26 August 1956, London) is a British composer of chamber, vocal, choral and orchestral music.
Beamish studied the viola at the Royal Northern College of Music, where she received lessons from Anthony Gilbert and Lennox Berkeley. She later studied in Germany with the Italian violinist Bruno Giuranna. As a violist in the Raphael Ensemble, she recorded four discs of string sextets.

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Bernard Herrmann

Bernard Herrmann (June 29, 1911 – December 24, 1975) was an American composer noted for his work in motion pictures. In over forty scores Bernard Herrmann[ enriched the work of such directors as Orson Welles (Citizen Kane), Alfred Hitchcock (North By Northwest, Vertigo, Psycho, Marnie etc.), Francois Truffaut (Fahrenheit 451), and Martin Scorsese (Taxi Driver). From his first film (Citizen Kane) to his last (Taxi Driver)...

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Ottorino Respighi

Ottorino Respighi was born in Bologna, Italy. He was taught piano and violin by his father, who was a local piano teacher. He continued studying violin and viola with Federico Sarti at the Liceo Musicale in Bologna, composition with Giuseppe Martucci, and historical studies with Luigi Torchi, a scholar of early music. In 1900, Respighi went to Russia to be principal violist in the orchestra of the Russian Imperial Theatre in St Petersburg during its season of Italian opera; while there he studied composition for five months with Rimsky-Korsakov.

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Maurice Duruflé

Maurice Duruflé (11 January, 1902 in Louviers – 16 June, 1986 in Paris) was a French composer, organist and pedagogue. In 1912, Duruflé became chorister at the Rouen Cathedral Choir School, where he studied piano and organ with Jules Haelling. At age 17, he moved to Paris. He took private organ lessons with Charles Tournemire, whose assistant he was at Ste. Clotilde until 1927. In 1920, Duruflé entered the Conservatoire de Paris. Duruflé left the Conservatoire with first prizes in organ, harmony, piano accompaniment, and composition.

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Dave Maric

Dave Maric (born 12 June 1970) is a British composer and musician. During the 1990s he regularly performed and recorded as a jazz and classical pianist with a number of new music ensembles including the London Sinfonietta and the Steve Martland Band. Since 2000 he has been regularly composing stylistically varied works for various instrumental combinations including music for classical soloists, chamber and orchestral ensembles and works for live performers with computer generated sound sources.

Dave Maric on Last.fm.

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Richard Addinsell

Richard Addinsell (January 13, 1904 - November 14, 1977) was a British composer, best known for film music, primarily his Warsaw Concerto, composed for the film Dangerous Moonlight (also known under the later re-title Suicide Squadron).
Films for which he wrote the music include: * The Amateur Gentleman (1936)
* Fire Over England (1937)
* Goodbye Mr. Chips (1939)
* Gaslight (1940)
* Blithe Spirit (1945)
* Scrooge (1951)
* Tom Brown's Schooldays (1951)
* The Prince and the Showgirl (1957)

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Nicholas Ludford

Nicholas Ludford (c. 1485–c. 1557) was an English composer of the Tudor period. He is known for his festal masses, which are preserved in two early-16th-century choirbooks, the Caius Choirbook at Caius College, Cambridge, and the Lambeth Choirbook at Lambeth Palace, London, along with those of the older composer Robert Fayrfax (1462–1521), with whom his music is often associated. Ludford's composing career, which appears to have ended in 1535, is seen as bridging the gap between between the music of Fayrfax and that of John Taverner (1495–1545).

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