Aldo Clementi (25 May, 1925 - 3 March, 2011) was the last survivor of the great generation of Italian postwar musical avant-gardists. He was also its quietest and most self-effacing member, both personally and musically. After a hesitant start, he developed a technique that allowed him to produce works as calmly consistent in sound and technique as a Renaissance motet, and some would say just as beautiful.
Composer Pauline Oliveros is a maverick in the field of electronic music. Oliveros' first instrument was the accordion; as a teenager in Texas she played in a 100-piece accordion group that appeared at the rodeo. In 1949 she entered the University of Houston, but in 1952 transferred to San Francisco State College. Oliveros studied music privately with Robert Erickson and began to associate with a loose confederation of like-minded composers; Terry Riley, Steve Reich, and Morton Subotnick among them.
Since 2006, UK artist Richard Skelton has been releasing small run documentations of his own musical explorations through his Sustain Release label. These recordings are always exquisitely packaged, in materials and imagery that really invoke the feel of the recordings locked away on the discs.
Place and space play a big factor in Skelton’s creative process, transporting the listener to the environment in which the music was originally recorded.
Jar Moff is an experimental musician. He is influenced by various artists including Bernard Parmegiani, a well known avant-garde composer who passed away in November 2013. Jar Moff posted a tribute to him on his Twitter account.
Collaboration between Anla Courtis (of Buenos Aires-based noise outfit Reynols) and Aaron Moore of Volcano the Bear).
Marsen Jules is one of the aliases for the musical output of Martin Juhls from Dortmund/Germany. As Marsen Jules he concerns himself with compression of atmosphere and emotion in the most abstract sense, based on carefully selected sound fragments and quotations. Maybe one could think of ordinary sampling, but Marsen Jules processes another step further. Neither the sampled sound nor the Instrument itself is centered in his work, actually its the particular moment, where the authenticity...
Canadian sound artist Mark Templeton utilizes acoustic instruments, found sounds and sampled material to construct textured, collage-like electronic compositions. Since the release of his critically acclaimed
aka Ken Montgomery, Egnekn, Ministry of Lamination etc.