Jean-Guillaume Cabanne is Telegraph’s kingpin artist, with six EP releases, as well as six of his tracks, in solo or with David Gluck as Ultrakurt, featuring on the Post Office compilations. On Logistic, he has co-produced the Blackstage album with John Thomas. His releases on Telegraph, 7th City, Karat or Perlon (with Ark as Copacabannark) have made him one of the most forward-thinking artists of the scene.
Chad Jackson started behind the decks before it was even trendy to be a DJ, and today can be credited as one of the people that popularised the art of DJ Mixing and remixing around the world. He was one of the first ever globally known superstar DJs. Back in the late 80s, a flyer with his name on it meant queues outside clubs like Legends in Manchester and the infamous Wigan Pier. Chad was one of the first British DJ to start DJ mixing in the early 80s.
Now that his work with The Orb has earned him a place in electronic music history, Fehlmann is afforded the artistic license to transcend all previous boundaries. His musicality and experimentalist drive converge with exceptional grace and system-bumpin' appeal. Granular hip-hop grooves and exotic chord structures interface with bold, synthetic finesse, while his housier inner child locks down some precision dance-floor cuts immersed in fluidly manipulated filtration.
Born on January the 7th 1978 in Tortona (Italy) at the age of 14 he started deejaying at school parties and then in local clubs; at that same time he started getting involved into music production. In June 2001 he released his very first record called "Bitter candy" under the nickname B'n'3.
In October 2001 he began to work with "J.T. Company" (owned by Joe T. Vannelli) and became resident dj at the "Supalova Club" nights.
Label owner of Alphahouse Records, accomplished producer, and jetsetting DJ, Butane (Andrew Rasse) hails from the Midwestern United States, the birthplace of many great electronic music acts. His infamous Alphahouse monthly party put St. Louis on the current worldwide techno map, and his record label is regarded as one of the premier minimal techno/house labels in North America. As a music producer, his tracks have been featured on some of the worlds most forward-thinking underground labels.
Acid Pauli is the alter ego of Martin Gretschmann, mastermind behind Console and member of the The Notwist as well as other projects. In his Acid Pauli incarnation he produces various remixes (See Johnny Cash - I See a Dark(er)ness) DJ-Sets as well as own songs. He is an important figure in the Weilheim music scene. His nickname and logo resembles the Hamburg/Germany based soccer club St. Pauli and the AcidHouseSmiley.
Matt John is a Berlin based artist who has recorded for prestigious labels such as Perlon and Jay Haze's netlabel textone, as well as for the new Bar25 label. Getting in touch with techno sounds in the mid-nineties he followed his calling for electronic music in starting DJing all over Thuringia/Germany. He loves to communicate with the audience in catching them with his groovy minimal tech house and intelligent techno, further kicking them with new experimental inputs into other dimensions.
Andreas Werner is one of today’s most prolific figures in the incredible Techno universe of Cologne. He encapsulates a delicate rhythmic sound and expression that is best exemplified in his 12” Zwrtshak Drive—a favourite among artists such as Guido Schneider, Richie Hawtin or Ricardo Villalobos on his most recent tour. It was also a #1 selection in the German publication Groove Magazine. Supported over the last few months by Triple R (head of the Traum label) under his pseudonym Audio Werner...
Wolfgang Voigt is an electronic music artist from Cologne, Germany, known for his output under various aliases on a plethora of record labels, including Warp, Harvest, raster-noton and Force Inc. Although widely known as a tireless producer, he is best known for co-founding the influential German microhouse label Kompakt alongside Michael Mayer and Jürgen Paape.
Aliases include: All, Auftreib, Brom, C.K.
Being a hobby break-dancer back in the days was the first step for eleven year-old Martin Landsky to discover his passion for black dance music. Using the pause-key of his tape deck he started to create minimal loop tracks of early funk and rap classics for his performances on the street as well as in contests. His interest in manipulating sound was unstoppable. Young Martin Landsky spent all his money to buy a second tape deck and a primitive mixer.