schmitz minimal

Now that his work with The Orb has earned him a place in electronic music history, Fehlmann is afforded the artistic license to transcend all previous boundaries. His musicality and experimentalist drive converge with exceptional grace and system-bumpin' appeal. Granular hip-hop grooves and exotic chord structures interface with bold, synthetic finesse, while his housier inner child locks down some precision dance-floor cuts immersed in fluidly manipulated filtration.

Being a hobby break-dancer back in the days was the first step for eleven year-old Martin Landsky to discover his passion for black dance music. Using the pause-key of his tape deck he started to create minimal loop tracks of early funk and rap classics for his performances on the street as well as in contests. His interest in manipulating sound was unstoppable. Young Martin Landsky spent all his money to buy a second tape deck and a primitive mixer.

Thomas Brinkmann (born 1959) is a highly regarded German producer of experimental minimal techno music. Although experimenting with records since the early eighties, he gained wide reputation with his re-workings of material by fellow artists Mike Ink and Richie Hawtin released in the second half of the 90s. These productions were made by playing physically modified vinyl records on highly customized turntables with an additional tone arm.

Born on January the 7th 1978 in Tortona (Italy) at the age of 14 he started deejaying at school parties and then in local clubs; at that same time he started getting involved into music production. In June 2001 he released his very first record called "Bitter candy" under the nickname B'n'3.
In October 2001 he began to work with "J.T. Company" (owned by Joe T. Vannelli) and became resident dj at the "Supalova Club" nights.