schmitz minimal

Chad Jackson started behind the decks before it was even trendy to be a DJ, and today can be credited as one of the people that popularised the art of DJ Mixing and remixing around the world. He was one of the first ever globally known superstar DJs. Back in the late 80s, a flyer with his name on it meant queues outside clubs like Legends in Manchester and the infamous Wigan Pier. Chad was one of the first British DJ to start DJ mixing in the early 80s.

Being a hobby break-dancer back in the days was the first step for eleven year-old Martin Landsky to discover his passion for black dance music. Using the pause-key of his tape deck he started to create minimal loop tracks of early funk and rap classics for his performances on the street as well as in contests. His interest in manipulating sound was unstoppable. Young Martin Landsky spent all his money to buy a second tape deck and a primitive mixer.

Now that his work with The Orb has earned him a place in electronic music history, Fehlmann is afforded the artistic license to transcend all previous boundaries. His musicality and experimentalist drive converge with exceptional grace and system-bumpin' appeal. Granular hip-hop grooves and exotic chord structures interface with bold, synthetic finesse, while his housier inner child locks down some precision dance-floor cuts immersed in fluidly manipulated filtration.

As a member of Kompakt since the early 90s, Reinhard Voigt has been a key player in the development and subsequent success of this legendary Cologne-based record label. Taking early notes from his infamous older brother Wolfgang Voigt (aka Mike Ink), Reinhard has refined and re-tooled his sound in a direction that has become unmistakeably his own in it's dirty, subversive (yet charming) minimal techno pop.