free improvisation | Musicosity

Supersilent

Supersilent is a Norwegian improvisational avant-garde / electroacoustic group from Oslo, Norway, formed in 1997 and signed on Rune Grammofon. The band reportedly never rehearse together or communicate about their music outside of live sets and studio sessions. Supersilent was formed when the free jazz trio Veslefrekk (Arve Henriksen on trumpet, keyboardist Ståle Storløkken, and Jarle Vespestad on drums) played a concert with producer, live electronics artist and self-described "audio virus" Helge Sten (a.

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deathjazzambientavantrock

norwegian electronica

Desperate To See Live

you are welcome in poland

norvegian

checked out but unconvinced so far

pecka

Norsk Jazz

pori jazz 2006

global jazz tags suck

electronic Art

the time you heard is in your mind

norwegian future jazz

norwegian modern jazz

kocham lubie szanuje

tomakeando

Electro-periment

your existence has comforting and intoxicating effects

ENTP

electronical improvisation

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Guillaume Viltard

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Sten Sandell

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Kevin Drumm

Kevin Drumm is an experimental musician based in Chicago, Illinois, United States. Emerging from the city's improvised music scene, in the 1990s he became one the world's pre-eminent prepared guitar players. Years active from 1991. Drumm's work expanded to include electroacoustic compositions and live electronic music made with laptop computers and analog modular synthesizers. He has collaborated with many artists working in similar fields, including Japanese guitarist Taku Sugimoto, multi-instrumentalist and producer Jim O'Rourke...

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generalnie jest w tym cos zajebistego ale nie potrafie tego tak okreslic by moc przypisac tego wykonawce do ktorejs z poprzednich kategorii

blissful

improvosational

the vitamin b12

Abstract guitar noise

impossible for liberals to deal with

sett

massive slabs of pandemonic debrisonica

analog modular synthesizer

the obstacles of romantic exaggeration

cave 12

tite abeille travaille fort

tokyo noise

experimental mutation

this is what noise sounds like

electracoustic improvisation

landscaping with bulbs

ksssss

acousmatics

improvised electronics

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Mikrokolektyw

Polish duo Mikrokolektyw explore regions of warped impressionist Don Cherryesque melodies like cartographers from some distant future. Their style is an outline of unexplored electronic hieroglyphs, an almost forgotten language shaped by moog, drums and trumpet. With this language they illustrate a map of vast sonic territories. Drummer Kuba Suchar and trumpeter Artur Majewski have collaborated with dozens of Chicago jazz greats as touring members of Rob Mazurek's Exploding Star Orchestra and Sao Paolo Underground groups.

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Borbetomagus

Borbetomagus are a free improvisation group.
Borbetomagus formed in 1979 when saxophone players Jim Sauter and Don Dietrich collaborated with electric guitarist Don Miller; bass guitarist Adam Nodelman was briefly a member. Their music has been described as "a huge, overpowering, take-no-prisoners mass of sound." One extended technique they use is called "bells together" where Sauter and Dietrich physically place the openings of their saxophones against each other.

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Spartak

Improvising duo from Canberra, Australia featuring Shoeb Ahmad and Evan Dorrian. Their sound is rooted in free jazz and micro-sound as well as bands like Fugazi and The Ex, utilising loops and processed melodies to build their songforms from. On any given night, they can work their pieces into ambient passages or post-punk riots. They have toured Australia, Malaysia and Singapore, playing shows with the likes of Adrian Klumpes, My Disco, Cleptoclectics, Akta Angkasa and many others.

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jealousy mountain duo

Jealousy Mountain Duo — Two-man German band Jealousy Mountain Duo’s self-titled longplayer was released by experimental German label Blunoise, a perfect portmanteau of Jealousy Mountain Duo’s disparate ’60s jazz and noisy, math-rock influences. Jealousy Mountain Duo takes a deconstructivist approach to its experimental blend of post-modern jazz and mathy indie rock, its guitars looping looping and conflicting melodies, its drums working in and out of rhythms, eschewing any semblance of straightforward timekeeping for an abstract counterbalance to the swirl of notes and tones.

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