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Dabrye

Dabrye (pronounced “DAB-ree”) is just one alias of Ghostly artist Tadd Mullinix, who explores with head-nodding beats and saw-tooth bass lines, with a keen eye to forward-thinking production and rhythms. Dabrye has earned considerable praise from both the underground (Jay Dee, Jurassic 5) and the electronic music press, earning him a Next 100 mention from URB in 2002 and praise from publications as diverse as Rolling Stone to The Wire.

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Afghan Whigs

American band the Afghan Whigs were a soul-influenced, alternative rock band that was mainly active in the 1990s. While achieving only moderate commercial success, the Afghan Whigs attracted ample critical acclaim and deeply loyal fans, Rolling Stone described the band as spending "the bulk of their career on the brink of stardom", yet they've "never quite broken beyond a substantial legion of devotees enamored of their thinly veiled sleaze."

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Bedouin Ascent

Bedouin Ascent is a unique artist best known for his work with Rising High Records, Ninja Tune and his own No-Immortal label. having influenced a generation of producers such as Luke Vibert, Aphex Twin, Talvin Singh and more besides and continues to produce and remix. he was the asian underground before asian underground became the cliche to avoid. oops.

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SND

Mark Fell and Mat Steel formed SND in 1998 and were quickly placed at the forefront of new digital minimalism. With a series of influential releases on their own label SND and on the now defunct Frankfurt Mille Plateaux, SND pioneered a sound that combined the linear minimalism of Ryoji Ikeda and Oval, with the rhythmic geometry of techno artists such as Thomas Brinkmann or Derrick May. SND promote an approach to the organization of sound, space and form that owes more to origami than any time based medium.

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Neon Neon

Neon Neon is a collaboration between the artists Boom Bip and Gruff Rhys. They first worked together on Boom Bip's Blue Eyed in the Red Room album, released in 2005. Their debut album, Stainless Style was released on March 18th, 2008 through Lex Records. Their first single Trick for Treat is also out, and can be heard on their myspace page. The album "Stainless Style" was nominated for the 2008 Mercury Prize.

Read more about Neon Neon on Last.fm.

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Sense

Sense is a name of at least name three acts: 1) A pseudonym of Adam Raisbeck (b. 25 Jun 1974, Melbourne, Australia). Since establishing himself as Soulenoid (early in 1995), he performed numerous times, in Melbourne (Club Filter, Global Warming and the Punters Club), as well as larger one-off parties, such as: the Omniglobe raves, Technofest, Big Day Out, Be Strange and Earthcore. He has also supported international stars, including: Derrick May, Stacey Pullen, Aphex Twin, Biochip C., Cylob and the On-U Sound posse.

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Chromatics

Chromatics originally hailed from Seattle as a quartet featuring vocalist Adam Miller, drummer Hannah Blilie, guitarist Devin Welch, and bassist Michelle Nolan. That lineup debuted in 2002 with a Calvin Johnson-produced 7" on Gold Standard Laboratories -- a split with Die Monitr Batss -- and followed with the similarly GSL-issued Chrome Rats Vs Basement Ruts LP. While Chrome Rats was critically hailed, Chromatics couldn't keep it together, and Miller was soon the only member in good standing (Blilie, Welch, and Nolan went on to form the similar-sounding Shoplifting).

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Crispy Ambulance

Crispy Ambulance were formed in Manchester (UK) in 1978 by Alan Hempsall (vocals), Keith Darbyshire (bass), Gary Madeley (drums) and Robert Davenport (guitar). Following a self-released debut single From the Cradle to the Grave (Aural Assault, 1980) the band joined Factory Records. Singles Not What I Expected (Factory, 1980) and Live on a Hot August Night (Factory Benelux, 1981, produced by Martin Hannett) preceded the album The Plateau Phase (Factory Benelux, 1981), and final single Sexus (also Factory Benelux, 1981).

Read more about Crispy Ambulance on Last.fm.

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Daniel Miller

Miller is best known as the founder of the record label, Mute Records. He recorded his own solo projects (The Normal and Silicon Teens) and released them as early titles of Mute Records. Although he founded Mute with the intention of releasing his own music when he was working as a film editor in 1978, he eventually shifted his focus to producing other Mute records acts (Fad Gadget, Yazoo, and Depeche Mode).

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