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free folk

Ilyas Ahmed

Ilyas Ahmed is a multi-instrumentalist born in Karachi, Pakistan, in 1974, raised in in the Northeastern and Middle Atlantic regions of the United States. Since 2005 Ilyas Ahmed has been blurring the , , and realms into a sound that is uniquely his own. A string of self-released CDrs in 2005/2006 brought Ahmed immediate attention and he soon released landmark albums on Time-Lag, Digitalis, and Root Strata.

Read more about Ilyas Ahmed on Last.fm.

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Hellvete

From the haunting depths of hell comes deathaxe-rider Hellvete. Armed with an ancient guitar, strengthened by medieval demons and dead ravens, he produces splattering ghostchants to summon the dead. Hellvete (guitar, banjo, charango, keyboards, organ, bass, voice, flutes, percussion, effects) plays in various Funeral Folk projects such as Silvester Anfang, Sylvester Anfang II, Hellvete Power Trio,Chainsaw Gutsfuck, Geitevuyst, Blodklod and Iron Horse. Solo he makes ghostchants to summon the dead.

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Ed Askew

Ed Askew, a gay man, cut one of the best and most obscure LPs in the original ESP Disk’s vague rock/folk/freak series, issued eponymously and since reissued as Ask the Unicorn, before apparently dropping off the edge of his world. Years later, thanks to detective work by - naturally - Mr Clint Simonson of the De Stijl Records imprint, it turned out that not only was Askew still breathing but he had actually recorded a follow-up to his ESP Disk in 1970 that had lain in the can for decades.

Read more about Ed Askew on Last.fm.

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Hush Arbors

Keith Wood, along with constant foil Leon Dufficy, is Hush Arbors, and while his self-titled Ecstatic Peace! debut is not his first album by any means – he’s been at this almost ten years - it does provide the perfect introductory point to Hush Arbor’s distinctive take on psych folk. Combining the pensive songwriting of John Phillips circa Wolfking, the plaintive honesty of Neil Young, and the fishtank-gazing cacophony of Six Organs of Admittance (Wood is a frequent collaborator), Wood writes classic-sounding songs that sound readymade for AM radio, circa 1968.

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