High Brow Low Art Music is the debut release of Halal Kebab Hut – a band of seven improviseurs de junk (no they don’t sound like Stomp), and was recorded in the cold, dark and final days of 2004. The group is the gastrosonic brainchild of, East London-based composer/improviser/anarchist/teacher/cyclist, Simon Katan, who creates all the algorithmic fodder for the band. This takes the form of game pieces - rigorous, non-linear...
Arnold Dreyblatt (b. New York City, 1953) is an American composer and visual artist. He studied with Pauline Oliveros, La Monte Young, and Alvin Lucier and has been based in Berlin, Germany since 1984. His compositions are based on harmonics, and thus just intonation, played either through a bowing technique he developed for his modified bass, a children's piano he specially tuned, or conventional instruments.
YASUNAO TONE (刀根康尚) was one of the first Japanese artists active in composing "events" and improvisational music. He has been active in the Fluxus movement since 1962 and has also been an organizer and participant in many important music and performance groups such as Group Ongaku, Hi-Red Center, Team Random (the first computer art group organized in Japan). Primarily a composer, Tone has worked in many media, creating pieces for electronics, computer systems, film, radio and television, as well as environmental art.
David Behrman (born Salzburg, Austria, August 16, 1937) is a US composer and the producer of Columbia Records' Music of Our Time series. He was also a founding member of the Sonic Arts Union. He toured with the Merce Cunningham Dance Company and has worked with Ben Neill. He was a part of Robert Ashley's Music with Roots in the Aether interview series. He is known as a minimalist composer. His music has often involved interactions between live performers and computers, usually with the computer generating sounds triggered by some aspect of the live performance...
Thomas Brinkmann (born 1959) is a highly regarded German producer of experimental minimal techno music. Although experimenting with records since the early eighties, he gained wide reputation with his re-workings of material by fellow artists Mike Ink and Richie Hawtin released in the second half of the 90s. These productions were made by playing physically modified vinyl records on highly customized turntables with an additional tone arm.
Biography by Nate Cavalieri Few artists have been as crucial to the invention, development, and popularization of Afro-pop than Orlando Julius. Starting in the '60s, Julius was fusing traditional African sounds and rhythms with those of American pop, soul, and R&B. Aside from performing and recording in his native Nigeria, he spent many years in the United States working on collaborations with Lamont Dozier, the Crusaders, and Hugh Masekela. His 1966 effort, Super Afro Soul, made him a national celebrity in Nigeria and even went so far as to influence music in the United States.
Takehisa Kosugi (????; surname Kosugi; b. Tokyo, Japan, 1938) is a Japanese composer and performer working in the field of contemporary classical music. He is associated with the Fluxus movement, worked with John Cage and David Tudor, and has served as music director for the Merce Cunningham Dance Company. He was also a member of Taj Mahal Travellers. His primary instrument is the violin. Kogusi studied musicology at the Tokyo University of Arts, graduating in 1962. During this period he began multi-instrumental improvisation.
Jack Scott (Giovanni Sacfone Jr) was born January 24, 1936 in Windsor Ontario, Canada, and raised in Detroit, an Italian hillbilly who worshipped Hank Williams, and became a rock and roll star. His first album, entitled Jack Scott. One of the first album recorded in stereo, it contained a mixture of rockabilly and ballads of which 10 were Scott's own compositions. Recording for Carlton he came up with a rocking song about a friend in prison titled Leroy. The other side of the record was a sad ballad called My True Love.