Marc Schneider
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Toby Tobias
Toby's first forays into production began around the heady rave days of the late eighties early nineties. Everything before this had been digested in his Gullliver and taken on some kind of influence or another, from hearing his first ever remix at 13... of Bros believe it or not, to listening to New Order's Substance on constant rotation on his Sony Walkman, to his dad's constant insistence on playing Sky or Stevie Wonder in the family car, buying his first electric guitar when he was 13...
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Fehrplay
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Tom Ruijg
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Dibby Dougherty
Dibby Dougherty is a talented young Dj/producer from Ireland, UK. Whilst studying in Edinburgh, Scotland, Dibby realised his passion for electronic music. He soon landed his first residency at an underground basement club night in Edinburgh, playing weekly and also once a month at a breaks/house night called Ground Zero.
Since returning to his native Ireland, Dibby has played at various club nights across the province such as Inertia in Derry, Digi-Funk ,Surge,Zutekh and Yello in Belfast to name a few.
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Balcazar & Sordo
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Cabanne
Jean-Guillaume Cabanne is Telegraph’s kingpin artist, with six EP releases, as well as six of his tracks, in solo or with David Gluck as Ultrakurt, featuring on the Post Office compilations. On Logistic, he has co-produced the Blackstage album with John Thomas. His releases on Telegraph, 7th City, Karat or Perlon (with Ark as Copacabannark) have made him one of the most forward-thinking artists of the scene.
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Trevor Rockcliffe
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Gui Boratto
Born in 1974 in S
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Gorge
Gorge aka Pit Waldmann expired electronic music in the late 80’s. He grew up with the sound of Thorsten Fenslau and Alexander Abraham and began to produce his own music in the middle of the 90’s. Taking a trip through all kinds of electronic music he finally came back to house and techno music influenced by deep Chicago house sound and techhouse. In 2005 he met Nick Curly and started the imprint 8bit records which grew up to a worldwide respected label with artists like Johnny D, SIS...
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