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achingly intelligent

Thomas Brinkmann

Thomas Brinkmann (born 1959) is a highly regarded German producer of experimental music. Although experimenting with records since the early eighties, he gained wide reputation with his re-workings of material by fellow artists Mike Ink and Richie Hawtin released in the second half of the 90s. These productions were made by playing physically modified vinyl records on highly customized turntables with an additional tone arm.

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Dustin O'Halloran

A self-taught pianist from the age of 7, Dustin O'Halloran's personal histories give us some clue to the thickly-woven tapestries of his music: he has lived in LA (where he studied art at Santa Monica College and formed the much-adored Devics with Sara Lov), Italy (in the depths of rural Emilia Romagna) and Berlin. His arresting, heartbreaking music is as much an elegant exercise in nuance and grace as it is a pure, intuitive, personal expression – and here is where we see some explanation into Dustin's quiet rise to notoriety and his continued ascension.

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COH

CoH is the musical alias of Иван Павлов (Ivan Pavlov), a Russian-born sound artist and engineer.
He has lived in Sweden since 1995. After Pavlov moved to Sweden, he adopted the alias COH which can be read in Cyrillic as well as in Latin and means in Russian 'sleep' or 'dream'. CoH was once a collaborator of Coil and also worked with Annie Anxiety, Richard Chartier and Cosey Fanni Tutti. Side projects include oxy and SoiSong (a band with ex-Coil member Peter Christopherson)

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Thomas Fehlmann

Now that his work with The Orb has earned him a place in electronic music history, Fehlmann is afforded the artistic license to transcend all previous boundaries. His musicality and experimentalist drive converge with exceptional grace and system-bumpin' appeal. Granular hip-hop grooves and exotic chord structures interface with bold, synthetic finesse, while his housier inner child locks down some precision dance-floor cuts immersed in fluidly manipulated filtration.

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Marsen Jules

Marsen Jules is one of the aliases for the musical output of Martin Juhls from Dortmund/Germany. As Marsen Jules he concerns himself with compression of atmosphere and emotion in the most abstract sense, based on carefully selected sound fragments and quotations. Maybe one could think of ordinary sampling, but Marsen Jules processes another step further. Neither the sampled sound nor the Instrument itself is centered in his work, actually its the particular moment, where the authenticity...

Read more about Marsen Jules on Last.fm.

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Filament

There is more than one artist with this name:
1. An experimental band from Japan
2. An American electronica/indie rock band from Detroit, Michigan. 1. Filament, consists of former Ground Zero members Otomo Yoshihide and Sachiko M, two of the defining artists of the music movement. In contrast to the dense, "chopped up", style of Ground Zero, Filament explores minimalist free-improvisation, concerned often with narrow-variations in tone and timbre usually without rhythmic structure or more than the slightest fragments of melody.

Read more about Filament on Last.fm.

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SND

Mark Fell and Mat Steel formed SND in 1998 and were quickly placed at the forefront of new digital minimalism. With a series of influential releases on their own label SND and on the now defunct Frankfurt Mille Plateaux, SND pioneered a sound that combined the linear minimalism of Ryoji Ikeda and Oval, with the rhythmic geometry of techno artists such as Thomas Brinkmann or Derrick May. SND promote an approach to the organization of sound, space and form that owes more to origami than any time based medium.

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Krzysztof Penderecki

Krzysztof Penderecki (born November 23, 1933 in D?bica) is a Polish composer and conductor. His 1960 avant-garde Threnody to the Victims of Hiroshima for string orchestra brought him to international attention, and this success was followed by acclaim for his choral St. Luke Passion. Both these works exhibit novel compositional techniques. Since the 1970s Penderecki's style has changed to encompass a post-Romantic idiom.

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