atmospheric rock

iamthemorning is a neo-classical vocal indie band from Russia. Full band consists of piano, vocals, guitar, bass-guitar, drums and string quartet and sounds like prog-rock with arrangements, influenced by Russian Classical Music heritage and various ethnic motifs. The sound may vary, as the band can play both acoustic sets (grand piano, vocals, string quartet) - and then it turns to fragile neo-classical (thought, rather gloomy) collective, and prog-rockish sets when fragility of neo-classical concept is being empowered by sophisticated rhythm section and jazzy guitar.

Read more about Iamthemorning on Last.fm.

Danny Cavanagh (born October 6, 1972) is a British guitarist and songwriter, one of the founding members of Anathema - a band that began in a death doom metal style, before changing to a more atmospheric rock-based sound. Danny also worked with Lid, Antimatter and Leafblade. In 2005, he released a Nick Drake tribute album, called "A Place to Be". He played several acoustic shows made of covers from Anathema or others artists alone, or as Danny & Vincent Cavanagh and Anneke van Giersbergen & Danny Cavanagh.

An artist whose sound is described as understated, evocative, catchy and commanding, Best Fit Recordings are extremely proud to announce the signing of Swedish siren FAYE to their family of artists, a songstress whose perfect blend of electronica and pop leaves an indelible impression upon all who listen in. The story behind Swedish vocalist Faye Hamlin is by no means a usual one. How many singers can say that they spent their adolescence touring the world with the likes of Destiny’s Child and Aaron Carter as one quarter of hugely successful...

Manes started around the end of 1992/early 93. It started as a project with Sargatanas on vocals and Cern on guitars, synths, programming etc. – basically everything besides the vocals. With that line-up Manes recorded the three demos „Maanens natt” (93), „Ned i stillheten” (94) and „Til kongens grav de døde vandrer” (95). The two first demos was later re-released by the Hammerheart Records sub-label „Unveiling the Wicked” in 98.