Depedro is the musical project of Spanish singer and guitar player Jairo Zavala, who is also front man and co-founder of rock band Vacazul. In its first album (also named Depedro, published in 2008) Depedro mixes latin music, border fusion, folk, african music, reggae and blues. Depedro's official site is at http://www.myspace.com/myspacedepedro
Branford Marsalis (born August 26, 1960, Beaux Bridge, Louisiana) is an American jazz saxophonist. Branford studied with Alvin Batiste at Baton Rouge's Southern University in 1978, completing his studies at Berklee School of Music, between '79 & '81. He began his professional career in the early 1980s playing with Art Blakey's big band (playing baritone), Clark Terry's band, and Blakey's Jazz Messengers.
Decoder Ring was formed in 2001, in Sydney, Australia. Original line-up consisted of Matt Fitzgerald ( keyboards, guitar) Geoff Towner (bass, El Mopa), Pete Kelly (guitar, Sea Life Park), Kenny Davis Jr (keyboards, piano, The Jackson Code, The Blackeyed Susans) & Thomas Schutzinger (drums). Original line-up recorded the EP "Spooky Action at a Distance" (2002) and album "Decoder Ring" (2002). Geoff Towner departed in 2003 and was replaced by Ben Ely (Regurgitator).
"Lilium" (meant to mean "fortress") started as a solo-project of Pascal Humbert, 16 Horsepower's bass player. Under this moniker he made the album "Transmission of All the Good-Byes", a mainly instrumental creation, which was released in 2000. Lilium now is a duo-project after 16 Horsepower drummer Jean-Yves Tola joined Humbert. As a double act they have so far released one album, "Short Stories", which came out in 2003. Humbert worked on "Transmission Of All The Good-Byes" from 1984 until 2000. The album was released at the end of October 2000 on Glitterhouse Records.
The Bony King of Nowhere is the project of 24-year-old composer Bram Vanparys from Ghent in Belgium. His honest music, characterized above all by Bram’s distinctive voice, claims your heart straight away. Songs are built on melodic backing vocals, guitars and sound layers, as well as the frequent use of unconventional percussion inspired by the Brazilian Tropicália Movement from the 1960s. His lyrics are often theatrical: the virgin Mary addressed by a dying man exalting death from his deathbed (“Maria”)...