postrock | Musicosity

postrock

Meniscus

Meniscus's lush ambient soundscapes, driving bass lines and poly-rhythmic beats create a unique musical experience that has been hypnotising Australian audiences since 2005. The Sydney trio's unique brand of instrumental post rock blends the moody dynamics of acts like Mogwai and Sigur Rós with the prog rock technicality of King Crimson. The critical success of the band's 2007 EP The Absence of I elevated Meniscus's profile globally with rave reviews from The Silent Ballet (“Beautifully crafted and impeccably conceived.

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Branson Hollis

Branson Hollis is a post hardcore/rock band from France. Consisting of five friends, they formed in early 2009. A few months later, the band released their very first demo (called 'Dyad') recorded at Boss Hog Studio in Northern France. The next year, they wrote and recorded 'Diving Suits Drying', a 5 track EP including critically acclaimed ‘The Jar’ and ‘New Colours, New Shapes’. It was released October 18th 2010.

Read more about Branson Hollis on Last.fm.

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Maclean

Maclean is a band. They are based out of Langley, BC, Canada, and play an ambient, melodious rock, with hints of electronica and progressive rock. Stop what you are doing and check them out right now. They are, in alphabetical order by last name:
Maclean Carlson - Drums/Glockenspiel
Denver Harris - Vocals/Guitar
Andrew McTaggart - Vocals/Guitar
Scott Neufeld - Guitar/Bass
Steve Sawatzky - Bass/Piano/Good looks

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Faker

Faker is an Australian alternative rock band, formed in Sydney in 1996. The band consists of vocalist Nathan Hudson, drummer Evan Mannell, guitarist Nic Munnings, and bassist Ash Moss. Their touring keyboardist is Dizzi de Cazz. The band has released two studio albums, and despite forming in 1996, Faker's first studio album Addicted Romantic, was only released in 2005. Prior to that, the band played multiple local gigs, and also released two EPs. In 2007, Faker became a mainstream success with their second album, Be the Twilight, and went on to continue touring nationally.

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Brokeback

Brokeback 2011 consists of Pete Croke, Jim Elkington, Chris Hansen, and Douglas McCombs. They've spent the past winter and spring working on a new batch of songs. This fall they'll be playing the first Brokeback shows since 2008. More later... Brokeback is the name of Tortoise bassist Douglas McCombs' side project. In , he released the project's first recording, Field Recordings From the Cook County Water Table, which revealed a slightly less constricted version of the sound Tortoise had made famous.

Read more about Brokeback on Last.fm.

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Spidermilk

"They will cradle you in their arms and spin webs of thought that lift the swaddled listener out of the fray to be soothed awhile in the thoughts of another. They will remind you that the walls in your head don't belong to you, and excite your spirit in awkward moments of unabashed honesty, that warn you that you must walk into the woods to come out the other side. However, winter's almost gone, and there is room for things to germinate.

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Stars of the Lid

Stars of the Lid are a band specializing in -based music. They list among their influences minimalist and electronic composers such as Arvo Pärt, Zbigniew Preisner, Gavin Bryars, and Henryk Górecki, as well as Talk Talk (both bands have tracks named "Taphead"), post-rock artists Labradford, and ambient innovator Brian Eno. Their music largely consists of beatless soundscapes, composed of droning, effects-treated guitars along with piano, strings, and horns; volume swells and feedback fill the gap of rhythmic instruments, providing dynamic movement within the songs.

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jealousy mountain duo

Jealousy Mountain Duo — Two-man German band Jealousy Mountain Duo’s self-titled longplayer was released by experimental German label Blunoise, a perfect portmanteau of Jealousy Mountain Duo’s disparate ’60s jazz and noisy, math-rock influences. Jealousy Mountain Duo takes a deconstructivist approach to its experimental blend of post-modern jazz and mathy indie rock, its guitars looping looping and conflicting melodies, its drums working in and out of rhythms, eschewing any semblance of straightforward timekeeping for an abstract counterbalance to the swirl of notes and tones.

Read more about jealousy mountain duo on Last.fm.

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