Dead Skeletons
Nascent Icelandic band with ties to The Brian Jonestown Massacre. Debut full length album for streaming and downloading available here:
http://www.dead.is/deadskeletons.html
http://www.last.fm/music/the+dead+skeletons
Nascent Icelandic band with ties to The Brian Jonestown Massacre. Debut full length album for streaming and downloading available here:
http://www.dead.is/deadskeletons.html
http://www.last.fm/music/the+dead+skeletons
Hans-Joachim Roedelius (Hans-Joachim Rödelius, born October 26, 1934 in Berlin) is an German experimental / ambient / electronic musician. He best known as a co-founder of the German krautrock groups Cluster and Harmonia and his work in the ambient jazz trio Aquarello. As a child he acted in UFA films such as "...reitet für Deutschland" (Riding for Germany) (1941) and "Verklungene Melodie" (Dead Melody) (1938).
Hypnotic and psychedelic different sounding ”jazz” from brand new Swedish group counting three brilliant musicians in Mats Gustafsson (The Thing) on saxophones and Fender Rhodes, Johan Berthling (Tape) on bass, electric guitar and Hammond organ and Andreas Werliin (Wildbirds & Peacedrums) on drums.
Catharina Hagen (born on March 11, 1955) is a singer from East Berlin, Germany. She's a daughter of well-known East German actress Eva-Maria Hagen and writer Hans Oliva-Hagen. They divorced 5 years later due to the rising success of Eva-Maria (called "East Germany's Brigitte Bardot") as an actress on stage and in films. When Catharina (Nina) was 10 years old Eva-Maria had a partnership with dissident song-writer Wolf Biermann (see links at the end).
Thisquietarmy is the experimental guitar-based project of Eric Quach from Montreal, Quebec, Canada - active since 2005. Revolving around improvised drone music, he takes his sonic experimentations further by adding textural and structural elements of post-punk, shoegaze, krautrock, post-rock, black metal and doom metal to them. The results can be described as dark, melodic, expansive and engaging dreamscapes. His live performances are mostly presented as a real-time score to hypnotic ethereal visuals, which he creates himself for each performance.
There are at least 3 bands with this name: 1. Epitaph were founded in Dortmund in 1969, consisting of Cliff Jackson (vocals, guitar), Bernd Kolbe (bass, mellotron, vocals) and Jim McGillivray (drums). The first sessions for their debut album, released 1971 on Polydor, were recorded in an Essex studio in England. For unknown reasons, it was however finished in Windrose Studios, Hamburg, where a fourth member was added to the group: Klaus Walz (guitar, vocals). The five resulting tracks sounded similar to the earliest incarnation of Uriah Heep.
Slint was a math rock band consisting of Brian McMahan (guitar and vocals), David Pajo (guitar), Britt Walford (drums), Todd Brashear (bass on Spiderland) and Ethan Buckler (bass on Tweez). They formed in Louisville, Kentucky, United States in 1986. Though they disbanded circa 1991, they are considered to be a major influence on the post-hardcore, math rock, and post-rock scenes. Slint's first album Tweez was recorded by legendary engineer Steve Albini in 1987 and released in obscurity on the Jennifer Hartman Records label in 1989.
Being the brainchild of Ryan Rousseau (Reatards, The Wongs, Tokyo Electron), Destruction Unit is a Sonoran Desert based psychedelic noise punk band. Having built a reputation for terrorizing crowds with sheer noise power and reckless behavior, they have been described as "a band who felt more like a horror movie than a band ... With guitars that were distorted beyond belief and acted more as auxiliary noise machines than instruments" (Transmission Entertainment) and "Suicide-meets-Chrome-meets-Hawkwind-meets-Screamers-meets-the-killer-last-scene-reveals-in-all-the-alien-episodes-of-The...
There are at least three artists with this name. The earliest of these 3 artists to use the name Brave New World recorded a version of then recently Yardbirds' popularised number "Train Kept A Rollin" circa 1967. Regarded as a seminal recording by enthusiasts of raw and energetic 60's garage bands, although it was only a demo, the track has been released on retrospective garage compilations such as the "Northwest Battle Of The Bands".