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KoKoLo

Also known as
Kokolo Afrobeat Orchestra, is an American Afrobeat band from the Lower East Side of New York City, formed in 2001 by songwriter/producer Ray Lugo. Along with The Daktaris and Antibalas, they form part of the early New York Afrobeat scene that ignited the genre’s current global revival. ==Name Origin== The band's name, (pronounced kohːkohːloh), was taken from a 1970's term used in Spanish Harlem and parts of the Caribbean, often as a pejorative, to describe Latinos of African descent who were fans of Afro music.

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Eli "Paperboy" Reed

Eli "Paperboy" Reed, a Boston-via-Delta South soul singer who conquered both street corners and punk clubs with a mix of grooved-out rave-ups and slow-burning ballads. Sounds like your favorite Motown and Stax Records livened up for the Winehouse era.

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Kombo

Kombo is:
Ron Pedley:
Hammond C3 Organ, Fender Rhodes and Wurlitzer Electric Pianos, Acoustic Piano, Muted Trumpet, Loops
Jon Pondel:
Electric and Acoustic Basses With:
Matt Bissonette: Electric and Acoustic Basses
Steve Ferrone: Drums
Randy Drake: Drums
Luis Conte: Percussion
Sharon Hendrix: Vocals
Everette Harp: Tenor
Stan Martin: Trumpet
Scott Martin: Tenor
Nick Lane: Trombone
Mike Faue: Vibes

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Dave Weckl

Born in St. Louis, Missouri, January 8th, 1960, to a mother who loved music and a father who played the piano as a hobby, Dave started playing drums around the age of 8. During his high school years he received many awards from the NAJE (National Association of Jazz Educators) for his outstanding performances in his high school's competition winning jazz band, and was involved with numerous local groups from a very early age while studying with St.

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JK special crossfire jazz fusion jazz rock jazzfusion jazzrock dave weckl drums drummer batterie batteur drums

on drums

nette drums

funk rythm

Drummers and Percussionists

turns my speakers alive

the best jazz drums

Drum Rudiment

Blues Jazz Rock Fusion

inne liszaj radio

sluchawki na uszy i heja w miasto

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Orlando Julius

Biography by Nate Cavalieri Few artists have been as crucial to the invention, development, and popularization of Afro-pop than Orlando Julius. Starting in the '60s, Julius was fusing traditional African sounds and rhythms with those of American pop, soul, and R&B. Aside from performing and recording in his native Nigeria, he spent many years in the United States working on collaborations with Lamont Dozier, the Crusaders, and Hugh Masekela. His 1966 effort, Super Afro Soul, made him a national celebrity in Nigeria and even went so far as to influence music in the United States.

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Lonnie Liston Smith & The Cosmic Echoes

Lonnie Liston Smith, Jr. (born December 28, 1940 in Richmond, Virginia) is an American jazz, soul, and funk musician who played with important free jazz artists such as Pharoah Sanders and Miles Davis before forming Lonnie Liston Smith And The Cosmic Echoes, recording a number of albums widely regarded as classics in the fusion / Quiet Storm / smooth jazz and acid jazz genres. Lonnie was born into a musical family; his father was a member of Richmond Gospel music group The Harmonizing Four...

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Lettuce

(...)It was 1992 at the Berklee School of Music, and a few high school summer session kids exploded onto the Boston jazz scene with killer chops and bottomless energy. Drawn together at the altar of funky soul, Eric Krasno, Sam Kininger, Adam Deitch, Erick Coomes, Jeff Bhasker, and Ryan Zoidis began taking over local clubs and jam nights on borrowed sound equipment. Brash and precocious, the guys always got what they needed: "Let us borrow your gear." "Let us play one more tune." "Let us crash on your couch." Thus Lettuce ("Let us...") was born, and the funky gospel found another apostle.

Shawn Lee's Ping Pong Orchestra

Shawn Lee's Ping Pong Orchestra is a project by multi-instrumentalist Shawn Lee. Shawn grew up in a rural area on the outskirts of Wichita, Kansas. His mother is half Lebanese, half American Indian, his father Irish-American. While his peers got off on cheesy corporate rock and the kind of line-dancing tunes recently fashionable in Gap ads, Shawn was groovin to the blaxploitation funk Sly and the Isleys.

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