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Skudge

Machines do speak a language understood and appreciated by humans. Measured by the success of Skudge, an artistic duo that has delivered a lot in a very short time. Combining their inspiration and talent through wires and analogue equipment, they seem to always present something new - in a very faithful style. What remains most significant on their output through the main label Skudge Records, as well as their remix material present on a row of different labels, it must be their exceptional sense of loops and unexpected detail in their productions.

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Jack Scott

Jack Scott (Giovanni Sacfone Jr) was born January 24, 1936 in Windsor Ontario, Canada, and raised in Detroit, an Italian hillbilly who worshipped Hank Williams, and became a rock and roll star. His first album, entitled Jack Scott. One of the first album recorded in stereo, it contained a mixture of rockabilly and ballads of which 10 were Scott's own compositions. Recording for Carlton he came up with a rocking song about a friend in prison titled Leroy. The other side of the record was a sad ballad called My True Love.

Read more about Jack Scott on Last.fm.

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The Vision

There are several artists with the name The Vision: 1. The Vision is an early alias of American techno producer Robert Hood. He released his first record, "Gyroscopic EP", on the Underground Resistance label in 1991 and also released as The Vision on Tresor, Metroplex and his own Hardwax label. 2. The Vision is a German dub-reggae group founded by Felix Wolter (aka. Fe), a musican and producer from Hannover. Info about releases can be seen at the label's site www.fuenfundvierzig.com

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Convextion

Gerard Hanson was born in 1972. He hails from the unlikely environments of Dallas, Texas USA. Little is known about this producer who seems to have Scandinavian roots. His productions have reflections with Basic Channel/Chain Reaction sound. His main inspirations are Juan Atkins and Derrick May. His music also has influences from Stefan Robbers, Red Planet and Carl Craig. He found a way where everything came together: Deepness, Minimalism and Soul, the Detroit-Berlin connection.

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Omar S

Omar-S is the latest man of mystery from Detroit. His records are low key minimal dirty house music, usually issued only on white label with handwritten info. His love for the music is quite evident from the deep emotional tracks he writes. His music is indebted to tracky Chicago house, dirty Detroit house, and of course Detroit techno.

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Urban Tribe

There are several bands named Urban Tribe. (1) A house/techno/electro/dub project under the direction of Sherard Ingram a.k.a Drexciyan DJ Stingray with contribution of well known members of Detroit house and techno scene - such as Carl Craig, Shake and Kenny Dixon Jr. Urban Tribe have recorded for Mo' Wax, Planet E, Clone, Créme Organisation and TRUST. (2) A reggae band from Stockholm/Sweden, that was founded as tribute to a bar in Thailand named Bob's Bar, which is the name of the first album as well. A second album, "Who Is the Enemy" was released in 2006.

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Kevin Saunderson

Kevin Saunderson (born in Brooklyn, New York on May 9, 1964) is an American electronic music producer. At the age of nine he moved to Detroit, Michigan, where he attended Belleville High School and befriended two students, Derrick May and Juan Atkins. Saunderson, with Atkins and May, (often called the "Belleville Three"), is considered to be one of the originators of techno, specifically Detroit techno.

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Elzhi

Elzhi (born Jason Powers) is a hip-hop artist from Detroit, Michigan. He records both solo and as part of the group Slum Village with T3. He is known particularly for his complicated rhyme schemes, involving polysyllabic 'patterns', internal rhymes and alliteration, as well evocative imagery, simile and metaphor.
Beginning his career in a group called The Breakfast Club with Dwele, Big Tone and Lacks (later known as Ta'raach), Elzhi has been recording since as early as 1997, working alot with DJ Houseshoes in 1998 to produce numerous tracks...

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Delano Smith

Delano Smith was one of the first ‘mobile DJs’ in a city that embraced DJ culture early on, before Music Stores sold more turntables than guitars. Emerging as one of the top progressive DJs in Detroit during the 80s, alongside the legendary Ken Collier (RIP), Smith mastered the art form while playing the underground and club parties that set the stage for today’s global party circuit. After taking time off from Djing in the 90s to pursue personal interests, Smith began playing events again after receiving numerous requests from promoters.

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