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Boom Crash Opera

Boom Crash Opera are a pop-rock band formed in Melbourne, Australia in 1985. Initially based around the songwriting partnership of Richard Pleasance (Guitar/Bass/Vocals 1985 - 1992) and Peter Farnan (Guitar/Bass/Keys/Vocals) Boom Crash Opera also includes Dale Ryder (Lead Vocals), Peter Maslen (Drums), Greg 'Spock' O'Connor (Keys/Guitar) and Ian Tilley (Bass/Vocals 1992 - Present). Boom Crash Opera where quickly signed to WEA records Australia and in 1986 released their debut single 'Great Wall'.

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Arto Lindsay

Arto Lindsay (born May 28, 1953, Richmond, Virginia) is an American , , record and . He's probably best known as a founding member of the influential band DNA, though his work after DNA has been quite prolific. He has a distinctive soft voice and an often noisy, self-taught guitar style comprised almost entirely of extended techniques, described by Brian Olewnick "studiedly naïve ... sounding like the bastard child of Derek Bailey"; his guitar work is contrasted frequently with gentler, sensuous Brazilian music themes.

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The Dream Syndicate

There are two groups known as The Dream Syndicate: 1. The Dream Syndicate was a guitar-driven band from L.A. from 1981 to 1989, originally associated with the music movement. While attending the University of California, Davis, Wynn and Smith played together (with future True West members Russ Tolman and Gavin Blair) in The Suspects. Moving back home to Los Angeles, Wynn recorded a single under the name 15 Minutes (as in “of fame”) as his intended farewell to music. He did not follow that course.

Read more about The Dream Syndicate on Last.fm.

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The Fleshtones

Often tagged as garage-rock revivalists, the Fleshtones mix the fuzz-guitar and Farfisa organ sounds of that genre with rockabilly, '50s and '60s R&B, and surf into a potent retro stew the group likes to call "Super Rock." The group formed in 1976 in Queens with vocalist/keyboardist Peter Zaremba, guitarist Keith Streng, bassist Jan Marek Pukulski, and drummer Bill Milhizer and aimed to return rock and roll to the simplicity and unself-consciousness of the '50s and early-'60s. (The group was often joined on-stage and in the studio by sax player Gordon Spaeth, who passed on in 2005.

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