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to check out

Wolf + Lamb

For nearly a decade, Wolf + Lamb has prided itself on procuring and presenting some of the finest gourmet music from around the world. Using nothing but two turntables and a steadfast determination to make people move, the duo have been lighting up dance-floors in New York and around the globe. The partnership was struck when the two discovered a similar penchant for new and exotic dance styles from abroad and an innate ability to tolerate each other for long periods of time. The two immediately set out to spread their vision of community, music and the celebration that ties it all together.

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Chet Faker

Shrouded in secrecy, hidden behind an alias and disguised by a beard, Chet Faker is an artist that enjoys the mystery. Hailing from the tight-knit deep disco scene in Melbourne, Australia and taking elements from an acoustic past, Chet Faker has carved out his own style that fuses personal stories of love and loss with an electronica soul, which reaches far beyond his homeland. Chet quickly came to everyone’s attention when his cover of 'No Diggity' hit number 1 on the worldwide indie music aggregator, Hype Machine.

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Custom Kings

Since forming in 2002, the Custom Kings have evolved into an unidentifiable outfit emersed in musical variation. Always in motion are the Kings whose love for diversity has seen them infuse junk-yard jazz with capo’d folk; appalachian picking with loose indie hop - and blues with everything. Signed to Liberation on the back of an 8-track home recording, they emerged from the studio with a collection of songs custom made for listeners who prefer music undefined.

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The Silents

The Silents is a four-piece band from Perth, Western Australia. Benjamin Stowe and Jamie Terry began writing and recording music heavily influenced by early sixties psychedelic and beat music in the second half of 2002. In September 2003, Stowe watched friend Sam Ford

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The Blue Angel Lounge

The band formed in 2004 and is named after a Club in New York in the 60`s, where Nico (Velvet Underground) had her first solo performances. The Blue Angel Lounge always loves music or art in general, so it was a privilege to make good music only for themselves. Now they would like to share their music and ideas with people they Love and Respect.

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White Fence

White Fence's trippy, distortion-laced, psychedelic pop-influenced tunes (sounding, in other words, something along the lines of a warped cassette tape featuring The Left Banke or The Merry-Go-Round) are the brainchild of Timothy Presley (also a member of the like-minded groups Strange Boys and Darker My Love). The project's self-titled debut was released on the Woodsist label in the spring of 2010. For the project's next release, White Fence Is Growing Faith , Presley didn't change much. The January 2011 album follows the same sometimes goofy, always trippily tuneful template of the debut.

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Jenny Wilson

Swedish Jenny Wilson makes elegant and sophisticated pop music with hints of synthpop. Her self-produced solo debut, Love & Youth, on which she also plays every instrument, was released to much critical acclaim in 2005. Music journalists ranked it as one of the best Swedish albums of the year. As a teenager in the early 90s, Jenny Wilson - born in 1975 - originally wanted to become a writer. At that time she discovered PJ Harvey's Rid of Me, an album that inspired her so much that she decided to give up on her writing career and focus on music.

Read more about Jenny Wilson on Last.fm.

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Naked City

Naked City was an music group from New York City, New York, United States led by and John Zorn, performed from 1988 to 1993. The ensemble was notable for remaining unconfined to any musical category, juxtaposing unrelated styles of music often within individual compositions at breakneck speed. Its music incorporated recognizable elements of , , , , , , and other genres. Carl Stalling has been cited as an influence on Zorn and the work of Naked City.

Read more about Naked City on Last.fm.

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Loop

1) Loop was a South London band founded in 1986 by Robert Hampson and his then wife, Bex. Loop's sound was characterized by strong and influences in addition to the minimalist mayhem of The Stooges and MC5. Their songs were almost uniformly harsh and repetitive, with indecipherable vocals buried under layers of noisy guitar riffs and metronomic drumming. Some of the records featured covers of Suicide, The Pop Group and Can as bonus tracks.

Read more about Loop on Last.fm.

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