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Radiant Sounds of Dust

The Radiant Sounds of Dust are a psych-rock-shoegaze-space-haze-exploratorary-hallucinatory rock n roll band based in Bristol. Formed by J. Tambakis and C. McCracken after they bonded over a love of vintage guitars, valve amps, effects pedals and rock n roll...they are two hedonists in love with the sound of silence as much as noise, crafting sound in space using acoustics, electronics weaving them into songs and noise.
tracks can also be heard @ www.myspace.com/theradiantsounds

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Butterclock

ButterClock is a young Parisian who makes some great downtempo along the lines of The XX or Bat For Lashes. It’s atmospheric and slow and very French, though according to Facebook they’re a «gathering of creatures from Nevada». ButterClock takes you off on a blurred red wine coma of journey that leaves you curled up asleep in the back of a deserted theatre, the strains of the sub base from next doors club filtering through the dusty walls.

Read more about Butterclock on Last.fm.

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Evian Christ

Evian Christ is a 22 year old UK / producer by the name of Joshua Leary. He started uploading songs to his Youtube account late 2011, which gained the attention of a number of acclaimed blogs. On 1 February 2012, he released the "Kings and Them" mixtape on Tri Angle Records, compiling mastered versions of the tracks he had put on Youtube up until then.

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Carlton Melton

The band CARLTON MELTON formed along the Mendocino County coastline in Northern California on the weekend of July 17th, 2008. The idea to play live, loud, improvised, experimental, instrumental, psychedelic music in a geodesic dome had been discussed for many years prior to this date. The opportunity came to fruition after the Dome was completely rebuilt and the acoustic sounds inside were fully realized.

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Shlohmo

L.A. native Henry Laufer, the 21-year-old producer better known as Shlohmo, is a lo-fi beat junkie and field-recording enthusiast, whose crackling, low-BPM compositions update Boards of Canada's filmstrip-soundtrack wooziness. An LA native, Laufer grew up listening to "stuff like DJ Shadow, Amon Tobin, M83 stuff with some sort of cinematic vision." He started making beats when he was 14, but "didn't really do it with any sort of purpose until I was like 17 or 18. That was also around the time he and his friends, already fans of Flying Lotus, discovered Low End Theory.

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