Gael Moissonnier
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Ravens & Chimes
Grown from the halls of NYU, in the midst of one of New York City's harshest winters, Ravens & Chimes debut album, Reichenbach Falls, introduces a youthful, optimistic lightness in the form of a record packed with a series of eclectic and ear-grabbing tunes. Perhaps influenced by many a dark, snowy night in that winter of 2005, Ravens & Chimes dig out a catchy set of instrumentally-charged melodies that show their developed blend of unconventional sound. CMJ called Ravens & Chimes "beautiful" and "unique" evoking comparisons at times to either Wolf Parade or Voxtrot.
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Femminielli
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Run Dust
Run Dust aka Ronald Doussier is a new project coming straight from the lowlands of Northern Germany. The music is pure hammer with beguiling vocals direct, devilish and disgusting. Hardly navel gazing but real, punchy, direct. All killing. Harkens back to Cab Voltaire's more violent output, but R. Dust throws his own pisstake on it. Like a hard german funk-krautbox with a very short late 80s Glenn Danzig spitting hell through a buttcrusher. Treble, not bass. Releases on Karl Schmidt Verlag and upcoming ep entitled 'Decency Rally' on Manchester, UK's Tesla Tapes.
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Black To Comm
Black To Comm is an alias for Dekorder label owner Marc Richter's audio excursions. Richter creates his music using scratchy shellac and vinyl records, field recordings, a so called "kitchen gamelan," and more traditional instruments like organs, guitars, pianos and mbiras. The layering and hypnotic repetition of short loops from Psychedelia, Free Jazz, Vaudeville, and various other old recordings reveals alternative melodic dimensions not apparent in the source material.
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Hering und seine sieben Sachen
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Inga Copeland
A member of Hype Williams
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Mykki Blanco
Michael David Quattlebaum Jr. is a 25 year-old New York based performance artist, poet and hip-hop musician who's genius keeps his profile on a steady rise. Founder of performance art collective NO FEAR, Quattlebaum performs regularly under the moniker of Mykki Blanco, an unexpectedly brash alter-ego that manages to simultaneously blend the rap genre's prescribed machismo with references to pioneering hip-hop femme fatales and gay club kids.
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