free guitar

L'ocelle Mare consists solely of Thomas Bonvalet, of Cheval de Frise fame.
His compositions as L'ocelle Mare are just as, if not more, complicated than they were during the Cheval de Frise years. The main difference is the obvious lack of song structure here.
This is not free-composition, but tediously constructed, felt-out melodies and rhythms that are played flawlessly during live performances. Every single noise and click that you hear is completely intended.

Duane Pitre is an American avant-garde composer and performer. His work often focuses on the tensions between electronic sound and acoustic instrumentation, chaos and discipline, as well as site-specificity and performativity. The composer frequently works with long-tones and utilizes alternate tuning schemes that focus on microtonality, enabling him to explore unaccustomed harmonic intervallic relationships.

In 1979, Paul Metzger drilled a few innocent holes into a Yamaha acoustic guitar. A self taught musician with 5 years of playing behind him, Metzger was growing tired of the conventions of the instrument. This lobotomy was the first of many surgeries that would follow in years to come. Strings were added, subtracted, added again; the frets of the neck were disemboweled and retrofitted with a sarod like metal fingerboard plate; paint was splattered over it, a rejigged music box was affixed to the guitar's belly, a crash cymbal mounted to its bottom.

Olaf Rupp, born 1963 in Saarlouis. As an autodidact at the age of twelve he started to play what we might call today Improvised Music or Instant Music and he always returned here after several excursions into other fields. In the nineties he mainly played electric guitar and his own setup of electronics. (EMAK BAKIA, STOL, BEASTIESHOPBEACH and sound installations) By now he came back to the acoustic guitar, developping some playing techniques (Chinese Pipa music, rasgueados, arpeggios and tremoloes) in such a way that they can be used for new cluster effects to create density.