Sascha Funke
A kind of techno that sways between the polarity of emotional overload and concrete rationale
A kind of techno that sways between the polarity of emotional overload and concrete rationale
Being a hobby break-dancer back in the days was the first step for eleven year-old Martin Landsky to discover his passion for black dance music. Using the pause-key of his tape deck he started to create minimal loop tracks of early funk and rap classics for his performances on the street as well as in contests. His interest in manipulating sound was unstoppable. Young Martin Landsky spent all his money to buy a second tape deck and a primitive mixer.
Minilogue are a Swedish Progressive House/Tech-House/Minimal Techno music project of Sebastian Mullaert and Marcus Henriksson. The name is a portmanteau of minimal (the musical style) and dialogue, which refers to music as a form of communication. Beside their music production as Minilogue, they are both involved in the projects Son Kite and Trimatic, and Sebastian has the soloprojects Kooler, Filur and Ooze. Sebastian Mullaert and Marcus Henriksson came from opposing backgrounds.
As a member of Kompakt since the early 90s, Reinhard Voigt has been a key player in the development and subsequent success of this legendary Cologne-based record label. Taking early notes from his infamous older brother Wolfgang Voigt (aka Mike Ink), Reinhard has refined and re-tooled his sound in a direction that has become unmistakeably his own in it's dirty, subversive (yet charming) minimal techno pop.
Dominik Eulberg, born in 1978 in Westerwald, Germany is an electronic music artist and DJ who has released numerous singles as well as full-length albums on labels such as cocoon recordings and Traum Schallplatten. He occasionally works as park ranger in German National parks, an occupation he plans to pursue full time in the near future after retiring from music. Dominik's fascination for electronic music began at a very young age.
Aril Brikha (born in 1976 in Tehran, Iran) is a producer currently residing in Stockholm, Sweden, who initially discovered electronic music by listening to the likes of Depeche Mode, Front 242 and Jean Michel Jarre before discovering the more futuristic sounds of artists like Detroit's Robert Hood and Underground Resistance. After not receiving any response in his native country he sent a demo to some of his favourite record labels stateside.
Born in the rural area outside Berlin, Ruede Hagelstein moved to the centre of bleeping Berlin eight years ago. After jobs at night-guide magazines and starting his own partyforum www.restrealitaet.de, he finds himself in the middle of the electronic music.
His productions transformed from disco-electro to a more minimalistic house and techno sound, and were supported by Sven Vath and Michael Mayer. Ruede holds residencies in Berlin's Watergate club and Dusseldorf's Harpune.
For more than 30 years Anne Clark has held a unique place in contemporary music.
Combining literary, socially engaged texts with innovative and genre-breaking music, she has covered every kind of style, while at the same time maintaining her own identity on each and every recording, whether it be the samples (before sampling became a concept) and electronically treated acoustics of The Sitting Room (1982), to the ground-breaking analogue synth classics of Sleeper In Metropolis (1983) and Our Darkness (1984).
Born in 1974 in S