As a member of Kompakt since the early 90s, Reinhard Voigt has been a key player in the development and subsequent success of this legendary Cologne-based record label. Taking early notes from his infamous older brother Wolfgang Voigt (aka Mike Ink), Reinhard has refined and re-tooled his sound in a direction that has become unmistakeably his own in it's dirty, subversive (yet charming) minimal techno pop.
Now that his work with The Orb has earned him a place in electronic music history, Fehlmann is afforded the artistic license to transcend all previous boundaries. His musicality and experimentalist drive converge with exceptional grace and system-bumpin' appeal. Granular hip-hop grooves and exotic chord structures interface with bold, synthetic finesse, while his housier inner child locks down some precision dance-floor cuts immersed in fluidly manipulated filtration.
Marsen Jules is one of the aliases for the musical output of Martin Juhls from Dortmund/Germany. As Marsen Jules he concerns himself with compression of atmosphere and emotion in the most abstract sense, based on carefully selected sound fragments and quotations. Maybe one could think of ordinary sampling, but Marsen Jules processes another step further. Neither the sampled sound nor the Instrument itself is centered in his work, actually its the particular moment, where the authenticity...
With the vibe of early Pink Floyd, Strawberry Alarm Clock, The Electric Prunes and Spacemen 3 running through their drugged-up veins, Germany's very own Vibravoid excel at synthesizing these influences into a heavy storm of psychedelic sounds, shapes, and colors.