Behind the successful production of Son Kite are Sebastian Mullaert and Marcus Henriksson. With different origins they got together in 1996 and are today working full time as producers in their High-Hat Studio in Malm
Deaf Center are collaborators Erik Skodvin (AKA Svarte Greiner, Xhale, Solitaire Albread) and Otto Totland (AKA Supine, Nest), operating out of Norway since 2003. Old classmates, they finally decided to write music together and ended up creating the Neon City EP, soon followed by the full length album, Pale Ravine. http://www.deafcenter.net
http://myspace.com/deafcenter
Dan Berglund’s new quartet with Martin Hederos (piano), Johan Lindström (guitar) and Andreas Werliin (drums). Dan Berglund is a Swedish jazz double-bassist and former member of the critically acclaimed Swedish jazz trio Esbjörn Svensson Trio (E.S.T.) Website : http://www.tonbruket.com/
There is possibly more than one artist/band with the name 'Stereoman': 1) Stereoman is an electronic music artist who released tracks under the scene group N.O.i.S.E.
Brooklyn-based producer Kotchy is a singer songwriter, multi-instrumentalist and all round super talented. If you've been lucky enough to see him live or performing with ... (more) NY revered bands such as The Epochs and Violet (w/members of Fischerspooner / Rufus Wainwright / Joan As Police Woman / polyphonic spree) then more than likely you'll have already taken note! Press credited Switch for Kotchy’s Tricky remix but there’s no mistaking those hushed vocals.
ALEC TRONIQ is the radar for electronic music. Even two decades ago, when synthetic waves captured the ears of a whole nation, his senses were already tuned to receive. Since these days his unwaning claim is to transform Techno and House into more than just club music. A claim which consequently fuels the autodidact to develop his tracks and live performances within a constantly expanding spectrum.
Source Direct were a jungle / drum & bass production outfit from St. Albans in the United Kingdom, consisting of Phil Aslett and Jim Baker. Their music would best be described as a combination of intensely complex, compressed drum edits, often suffused with a synthesis of menacing soundscapes and jazz-funk samples. They were largely considered to possess a similar production sensibility to Photek, but with a more hostile edge.
Following the success of Chloé’s The Waiting Room, the label Kill The DJ continues to redefine a certain idea of electro music with the long-awaited release of the first album by REMOTE, aka Seb Fouble & Eric Guillanton. 2000-2003: the post-French touch period, everybody is on the look out for something new, and that something new is somewhere out there on vinyl. Seb & Eric release their first maxi as Joe Zas & Co. on Pamplemousse. Then another, this a really important record, a witness to its time: Astroglide, considered as one of the best maxis in 2003 by the press and DJs alike.
Barzin is a Canadian singer-songwriter named Barzin Hosseini. Slow and melancholic, introspective and confessional: These words in some ways describe the sound of Barzin. A project that began sometime in 1995, Barzin was a solo endeavor at its inception. But somewhere along the way it shed its solitary skin allowing a wide array of characters into it’s sound. From amongst a rotating cast of musicians, who occasionally made appearances on recordings and at performances, three individuals slowly became a fixture of this project.