Black Mountain Transmitter
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Gareth Hardwick
Based in Nottingham, United Kingdom, Gareth Hardwick creates music that is at once rich and minimalist, dense and subtle. By manipulating the natural tones of his guitar with effects and loops he can deform and reshape the sounds generated by his instrument until you're no longer sure what you're hearing - an organ, a voice, or no recognisable instrument. Between abstract sounds, fragile and delicate melodies reveal themselves to you; finding yourself lost in intricate textures you are suddenly awoken by an absence of structure or sound, of something that one can hold on to.
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NO
There are at least seven bands with this name, although it's likely that more exist. The first is a metal band, formed in 2000 by the vocalist Bernd Eitel in the German town of Moenchengladbach. After undergoing a few lineup changes over the years the band is now: Bernd, Martyn, Heiner, Karsten and David. NO have gigged extensively in Germany and also played shows in Switzerland and Holland. In March 2006 NO released their demo CD "...is still the best answer to almost every question" and played a release show in their hometown.
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Sleep Research Facility
Sleep Research Facility (sometimes abbreviated to SR_F or SRF) is a dark ambient artist from Glasgow, Scotland, specialising in sleep-conducive beatless ambient music which is both artistic as well as functional. Sleep Research Facility consists of the single band member Kevin Doherty. His music usually contains no rhythmic elements (one exception is "2.5" on Dead Weather Machine), but instead relies on spacious, extended, richly-textured sounds.
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Necropolis
There are at least six bands named Necropolis that coincide on this artist-page. 1. Necropolis was a thrash metal band from Stonemeade, Georgia, USA. They formed in 1986, and released a demo in 1987, and the Contemplating Slaughter LP in 1988. Afterward they broke up, and have not been heard from since. Shamefully underrated. Bomp still has their record in stock on vinyl! 2. Necropolis, the first ukrainian gothic rock band; formed in 1991; in 1996 GARBA studio released their "Three of My...
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Nekrasov
Nekrasov: black/void metal. Initiated 1997.
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Richard Skelton
Since 2006, UK artist Richard Skelton has been releasing small run documentations of his own musical explorations through his Sustain Release label. These recordings are always exquisitely packaged, in materials and imagery that really invoke the feel of the recordings locked away on the discs.
Place and space play a big factor in Skelton’s creative process, transporting the listener to the environment in which the music was originally recorded.
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Remote
Following the success of Chloé’s The Waiting Room, the label Kill The DJ continues to redefine a certain idea of electro music with the long-awaited release of the first album by REMOTE, aka Seb Fouble & Eric Guillanton. 2000-2003: the post-French touch period, everybody is on the look out for something new, and that something new is somewhere out there on vinyl. Seb & Eric release their first maxi as Joe Zas & Co. on Pamplemousse. Then another, this a really important record, a witness to its time: Astroglide, considered as one of the best maxis in 2003 by the press and DJs alike.
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Svetlana
There are at least two bands with this name: A Swedish drone rock band and a shoegaze band from Indianapolis, Indiana. 1. US band: Svetlana is a shoegaze band from Indianapolis, IN that writes music under the influence of such groups as My Bloody Valentine, The Jesus and Mary Chain, Ride, Swervedriver, and Pacific U.V. 2. Swedish band: The name of the band would suggest that we're dealing with a Russian gothic metal/rock outfit, but that's hardly the case. In reality the band is from Sweden and plays low, rumbling drone.
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Lustmord
Brian Williams is a British electronic musician often credited for creating the dark ambient genre with albums recorded under the name Lustmord. Williams started recording as Lustmord in 1980 before joining SPK in 1982.
Lustmord has extracted field recordings made in crypts, caves, and slaughterhouses, and combined it with occasional ritualistic incantations and Tibetan horns. His treatments of acoustic phenomena encased in digitally expanded bass rumbles have a dark ambient quality.
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