unique

Martin Bramah teamed up with Una Baines to form The Blue Orchids late in 1979, in Manchester, England. Bramah’s voice whether wailing, shouting, or calling is always looking for a different angle, another way of being. Una’s strung-out keyboard playing, flowing and soaring, weaving around Martin’s inventive, discordant guitar patterns. The overall effect created a madcap cathedral of sound.

Ali Ibrahim “Farka” Touré (October 31, 1939 – March 7, 2006) was a Malian singer and guitarist, and one of the African continent’s most internationally renowned musicians. His music is widely regarded as representing a point of intersection of traditional Malian music and its North American cousin, the blues. The belief that the latter is historically derived from the former is reflected in Martin Scorsese’s often quoted characterization of Touré’s tradition as constituting "the DNA of the blues". Touré was ranked number 76 on Rolling Stone’s list of “The 100 Greatest Guitarists of All Time”.

Homeboy Sandman grew up in Queens, New York City and attended boarding school at New Hampshire

James "Blood" Ulmer (born February 2, 1942 in St. Matthews, South Carolina) is an American avant-garde jazz and blues guitarist and singer. Ulmer's distinctive guitar sound has been described as "jagged" and "stinging." His singing has been called "raggedly soulful." Ulmer began his career playing with various soul jazz ensembles, and first recorded with organist John Patton in 1969. After moving to New York in 1971, Ulmer played with Art Blakey & The Jazz Messengers, Joe Henderson, Paul Bley, Rashied Ali and Larry Young.