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Lionel Marchetti

Lionel Marchetti was born in France in 1967. His interest in music resides in the qualities of sound. He is one of a handful of artists who in the mid-to-late 1990s took electroacoustic music out of academic studios and into the free improvisation ring. A scholar who worked at the CFMI (Lyon) and GRM (Paris) studios and published a book on acousmatic composer Michel Chion, Marchetti developed a set-up of microphones and loudspeakers he uses on stage along with tape recorders, prepared CDs, motors and radios.

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Georg Philipp Telemann

Georg Philipp Telemann (14th March 1681–25th June 1767) was a German Baroque composer, born in Magdeburg. Self-taught in music, he studied law at the University of Leipzig. The most prolific composer of his era, he was a contemporary of Johann Sebastian Bach and a life-long friend of Georg Friedrich Händel. While in the present day Bach is generally thought of as the greater composer, Telemann was more widely renowned for his musical abilities during his lifetime.

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Phil Durrant

Phil Durrant has been an improviser and composer since 1977. He plays the violin and, more recently, live electronics. He is or was a member of Chris Burn Ensemble, Quatuor Accorde, MIMEO, Assumed Possibilities, Lunge, Ticklish and Trio Sowari, and has often played with other improvising musicians such as John Butcher, John Russell, Thomas Lehn, Radu Malfatti, Matt Davis and Mark Wastell.

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Marcus Schmickler

German composer Marcus Schmickler first came to prominence as a member of POL, the project formed by Carsten Schulz (C-Schulz) that released Transomuba (1994), that mixes field recordings, world and techno music, and Baby I Will Make You Sweat (1995), the (vastly inferior) soundtrack to a movie. Schmickler then recorded Wabi Sabi (1996), an avantgarde work of computer-generated drones that updated Lou Reed's Metal Machine Music to the digital age. Onea Gako (Odd Size, 1994) was credited to Marcus Schmickler, and it was co-arranged and produced by C-Schulz.

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Alexander Scriabin

Alexander Nikolayevich Scriabin(Александр Николаевич Скрябин) (1872-1915, Moscow) was a Russian composer and pianist. Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures.

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