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Eileen Rose

Eileen Rose is a singer/songwriter born and raised in Boston, Massachusetts. She recorded 2 albums, SHINE LIKE IT DOES and LONG SHOT NOVENA, for seminal UK label, Rough Trade Records (in the US, Sanctuary Records and Compass Records). Her third album, COME THE STORM was released in July 2007 on Banana Recordings (Sony) in the UK and, in the US, on folk legend Judy Collins' label, Wildflower Records in July 2007. She tours frequently both in the US and Europe (where she lived from 1991- 2003).

Read more about Eileen Rose on Last.fm.

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Leaves' Eyes

Leaves' Eyes is a band with elements from Stavanger, Norway and Ludwigsburg, Germany. The band assembled in 2003, shortly before singer Liv Kristine was fired from Theatre of Tragedy. Leaves' Eyes currently consists of Liv Kristine (female vocals), Alexander Krull (male vocals, programming), Sander van der Meer (guitars), Thorsten Bauer (guitars/Bass), and Roland Navratil (drums & percussion). Former members include Martin Schmidt (drums, left in 2004), Chris Lukhaup (bass, left in 2007), and Moritz Neuner (drums, left in 2007).

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The Be Good Tanyas

The Be Good Tanyas are an trio with and influences, hailing from Vancouver, British Columbia. They play a combination of original and traditional material, and are notable for their lush vocal harmonies. The group features Frazey Ford (guitar, vocals), Samantha Parton (guitar, mandolin, banjo, vocals) and Trish Klein (electric guitar, banjo, harmony vocals). Jolie Holland is a former member and also a frequent guest.

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Julia Holter

Julia Shammas Holter is a classically-trained keytarist from Echo Park. After infiltrating Human Ear Music headquarters dressed as an intern, she wrote and recorded her own release on the label. Her music is witty, surreal and optimistic. She plays without sarcasm in the terrains that divide sentimentality, passion, and control. Her songs are written instinctively, and treated with an off-kilter fastidiousness, working orchestral variety from minimal instrumentation.

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Lumerians

Distorted clouds of organ, synth, and vibraphone churn above hypnagogic waves of percussion and bass. Referencing psych and prog without the use of guitars, Lumerians create cinematic rock music that is warm, dark, organic and non-retro. Male and female vocals propel songs forward without eclipsing the chimeric ambience of the music. Parallels could be made to the ominous soundscapes of Ennio Morricone, the propulsive rhythms of Can, and the hypnotic oscillations of Silver Apples.

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