medieval | Musicosity

medieval

Daemonia Nymphe

Daemonia Nymphe (Δαιμόνια Νύμφη) is a band established in Athens in 1994 by Spyros Giasafaki and Evi Stergiou. The band's music is modeled after and is often categorized as ethereal, neoclassical, neofolk or gothic.
Daemonia Nymphe uses authentic instruments, including lyra, varvitos, krotala, pandoura and double flute, which are made by the Greek master Nicholas Brass. Their shows are very theatrical, with members wearing masks and ancient dress. Their lyrics are drawn from Orphic and Omeric hymns and Sappho's poems for Zeus and Hekate.

Read more about Daemonia Nymphe on Last.fm.

Artist Type: 

Philip Pickett

Philip Pickett (born 19 November 1950 in London, England) is an English musician, recorder player and director of early music ensembles, notably The New London Consort. Philip Pickett started as a trumpet player. He met Antony Baines and David Munrow who encouraged him to try early woodwind instruments such as the recorder, shawm and rackett. He studied at the Guildhall School of Music and Drama in London.

Artist Type: 

Skyforger

Skyforger is a band from R?ga, Latvia. They have been tempering their music in the smithy of the Thundergod since 1995. For the last decade, the band has been fighting under the flag of Latvian ; an extreme blend of traditional music and various metal influences ranging from Norwegian inspired through to 80s-rooted . The band's unique combination of ancient and modern influence has given them a wide appeal throughout both the and scenes...

Artist Type: 

Amaryllis

1. Polish band describing itself: "At first sight it seems that we are an unforgivenable hybride which combines two kinds of music separated from each other by hundreds of years"
This group mixes progresive rock with medieval music in an amazing way as if combining two worlds: one is electric and bass guitar, drums and keyboards, second - lute and female voice. Thus was born the extraordinairy sound, full of expresion, rythm, and might, but not deprived of lyricism and mysticism.
2. Greek Amaryllis band - their music is mixing fresh sounds with traditional Greek music

Read more about Amaryllis on Last.fm.

Artist Type: 

Anniversary Circle

ANNIVERSARY CIRCLE sounds like LYCIA would jam with KILLING JOKE
somewhere in the 90s, in a town called Twin Peaks.
Alternative / goth / post punk, somwhere between the pulsating vibes of
Joy Division / Killing Joke, the deep melancholy of Lycia represented by
ethereal female vocals and the gloom of Bauhaus.
About the debut album Saturated Feathers (2010)
You’re born, you live and you die in your beds. On each occasion there is cause for celebration or mourning.

Artist Type: 

Violetta

1) Violetta began when longtime friends Adam McKenzie (Drums), Kyle Lochbaum (Rhythm Guitar), Andy Dunham (Bass Guitar) and lead guitarist Austin Covey (Lead Guitar) posted a Wanted ad on Craigslist looking for a female vocalist to front an alternative rock band. Vocalist Brooke Weirick answered the call on the off chance and immediately impressed upon them with her unique and powerful vocal stylings.

Artist Type: 

Trio Mediaeval

Founded in Oslo in 1997, trio mediaeval has developed three distinct strands of repertoire: polyphonic medieval music from England and France, contemporary works and Norwegian medieval ballads and songs. The group's initial phase was inspired by intense periods of work at the Hilliard Summer Festival in England and Germany, and subsequently with Linda Hirst and John Potter. Trio mediaeval has given concerts and radio broadcasts throughout Europe, in the USA and Canada. The ensemble released its first CD on ECM Records in October 2001.

Artist Type: 

Orlando Gibbons

Orlando Gibbons (1583-1625), English composer and organist of the late Tudor and early Jacobean periods, a leading composer in the England of his day. Born in Oxford, between 1596 and 1598 he sang in the choir of King's College, Cambridge, then he entered the university in 1598 and achieved the degree of Bachelor of Music in 1606. James I appointed him a Gentleman of the Chapel Royal, where he served as an organist from at least 1615 until his death. In 1625 he became senior organist at the Chapel Royal, with Thomas Tomkins as junior organist.

Artist Type: