improvisation | Musicosity

improvisation

Will Guthrie

Australian drummer/percussionist Will Guthrie uses home-made instruments, amplified found and junk, microphones & electronics alongside more conventional drums and cymbals. Originally a drummer he has worked in many different settings of music: live performance, improvisation, studio composition.

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Greg Kelley

Greg Kelley has performed throughout the United States, Europe, Japan and Argentina at numerous festivals, in clubs, outdoors, in living rooms, in a bank, and at least once on a vibrating floor. He has collaborated with a number of musicians throughout the globe performing experimental music, free jazz and noise, releasing a number of recordings in the process - both solo, and as nmperign (with bhob rainey) and Heathen Shame (with Kate Village and Wayne Rogers). He constantly seeks to push the boundaries of the trumpet and of 'music'.

Greg Kelley on Last.fm.

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Antoine Chessex

Antoine Chessex is a Swiss saxophone player, improviser, composer and musician born in 1980 in Vevey, Switzerland. His works are based on the exploration of the physicality of sounds and spaces. Nowadays Chessex plays mostly as a solo performer appearing either in fully acoustic settings where his circular breathing textures react with the sonic architecture of the space he is performing in or amplifying his horn with amps or PA systems and electronic devices often resulting in intense live actions.

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Crab Smasher

Crab Smasher are a Newcastle, Australia based group of improvisational sound sharks crafting a frenzied hodgepodge of weirdo psychedelic noise rock and experimental pop delicious. The band formed in 2002 as a cheesy electronic novelty noise act and have since mutated through a number of confusing formations into the sellout rock-and-roll hydra that exists today. The lineup currently consists of Grant Hunter, Nicholas French, Marnie Vaughn, and Nathan Martin.

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Furt

FURT is the electronic composition/performance duo formed by Richard Barrett and Paul Obermayer in London in 1986. FURT’s dense and intricate musical forms are produced at every level by an interpenetration between free improvisation and systematic composition, and use primarily concrete (sampled/processed) materials. This activity is concerned above all with allying the physicality and expressivity of sound-structures to FURT’s vision - but also with deriving methods of musical production from the nature of the (electronic) medium itself.

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