improvisation

Diatribes are Laurent Peter/D'incise (laptop, objects, treatements), Cyril Bondi (drums, percussions) and Gael Riondel (tenor & alto saxophones, clarinet, fluteis).
The trio starts its existence under another name "d'incise d'ou inductions " in a Geneva basement in winter 2004. The idea behind the band was to mix three distinct sources (wind, percussion and electronic) in order to develop a malleable mass of sound. The saxophone and drums get confused with the treatment of their own sound, in a primary dance, where construction and destruction coexist, and envy and disgust unite.

1. Matt Gray , USA, Instrumental music written and performed by matt gray. Acoustic and electric instrumentals in blues, jazz, folk, rock, and others. The cd puzzle was released in the fall of 2006. 2. Matt Gray was a music programmer in the 80s for home computers mostly on the Commodore 64 . One of his most famous tracks was the soundtrack to Last ninja 2 released in 1988. 3. Matt Gray, lead singer and front-man of Prince Polo. Has a solo project titled Matt Gray and the Gray Matts.

Jordi Savall i Bernadet (born 1941, in Igualada, Catalonia, Spain) is a Spanish-Catalan viol player and composer. He is one of the major figures in the field of early music since the 1970s, largely responsible for bringing the viol (viola da gamba) back to life on the stage. His repertory ranges from medieval to renaissance and baroque music. Savall's musical training started in the school choir of his native town (1947-55).

Experimental jazz trio from Brooklyn, NY. Debut album Dragon's Head has been released by Firehouse 12. The band features Ches Smith on drums (Xiu Xiu, Marc Ribot's Ceramic Dog), John Hebert on bass (Uri Caine, the late Andrew Hill, his own band, Byzantine Monkey), and Mary Halvorson on guitar (People, Anthony Braxton, duo with Jessica Pavone). "More than an auspicious debut, (Dragon's Head) is among this year’s standout jazz albums and one of the more original recent statements by any jazz guitarist..." - Nate Chinen, The New York Times, November 2008