improvisation | Musicosity

improvisation

Vandermark 5

Ken Vandermark formed his quintet, the VANDERMARK 5, during the spring of 1996. Since that time it has been a major outlet for compositional and improvisational ideas that have been fascinating its leader, whose thinking has been developed through years of work with groups like the NRG Ensemble, AALY, the Peter Brötzmann Chicago Tentet, Free Music Ensemble, School Days, Free Fall, the Territory Band, Powerhouse Sound, Frame Quartet, and the Resonance Ensemble- the members of which represent an international gallery of the cutting edge of contemporary music.

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Gabriela Montero

FROM WIKIPEDIA: Born in Caracas, Venezuela, Gabriela gave her first public performance at the age of five. Aged eight she made her concerto debut with the Venezuelan Youth Orchestra conducted by José Antonio Abreu and was granted a scholarship from the Venezuelan government to study in the USA. At twelve she won the Baldwin National Competition and AMSA Young Artist International Piano Competition, performing Tchaikovsky's Piano Concerto No.1 with the Cincinnati Symphony Orchestra.

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Eran Sachs

Eran Sachs works as composer, improviser, sound-artist and curator in Jerusalem. As an improviser Sachs has collaborated with Oren Ambarchi, Thomas Koener, Marc Behrens, Achim Wollscheid, Damon Smith, Birgit Ulher, @c, Eric Boros and many many others, mainly playing his self-developed system, the No-Input-Mixer, which he has been playing since 1998. He plays this machine regularily in the Doom-Dub-Noise outfit Lietterschpich and John Zorn’s "Cobra" improvising ensemble in Israel. Started off playing Death Metal, Grind Core and Noise music, then moved on to electronic and experimental.

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Alasnoaxis

See also "Jim Black's AlasNoAxis" AlasNoAxis is a jazz quartet led by drummer Jim Black. Besides from him the group includes Hilmar Jensson on electric guitar, Chris Speed on tenor saxophone and clarinet, and Skuli Sverrisson on electric bass. The music is in some ways closer to post-rock than jazz, concentrating on rhythmic shifts and ensemble texture rather than featured solos. Since 2000, the group has released several records on Winter & Winter.

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Dans Les Arbres

Guitarist Ivar Grydeland and percussionist Ingar Zach, prime movers and catalysts for free improvised music in Norway, got in touch with Christian Wallumrød after hearing his “Sofienberg Variations” on ECM and they have since worked together in diverse combinations including, since 2004, ‘Dans les arbres’ a project completed by French clarinettist Xavier Charles. Their radical all-acoustic improvisation explores sonorities and textures that frequently sound electronic, and also often sounds ‘composed’ – with echoes of Cage and the New York School.

Read more about Dans Les Arbres on Last.fm.

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Cobblestone Jazz

Cobblestone Jazz is Mathew Jonson on drums and SH-101 bass, programmer Tyger Dhula, and Danuel Tate on keys and vocoder, Itiswhatitis Recordings, Vibraphone Biography Cobblestone Jazz have been performing live electronic music for four years on the west coast of British Columbia. The three members of the group are programmer Tyger Dhula, keyboardists Danuel Tate and Mathew Jonson, whose recent works for Itiswhatitis, Minus and Substatic have brought him international recognition.

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James Wright

There are several artists called James Wright:
1. James Wright is a Pulitzer Prize-winning American poet.
2. James Wright is a multi-genre musician from Northern Ireland who used to write music under the alias 'Paranoid'. His music is often in the style of electronic, mostly ambient.
3. James Wright is a British experimental rock musician who had previously worked under the name 'G

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Nhomea

Nhomea is an improvisational group from Australia. The group has an open lineup, and comprises of a large list of experimental musicians from Sydney and interstate. Born of being aware of the present, and predicting the future - this sonic organism evokes danger, immediacy and spontaneity. The totalising effect of this experimental journey drives the listener into the unknown, and with alarming effect. Nhomea attempts to remain as true to creative inspiration as possible- to allow expression in the moment, and to be reflective of the surroundings and the audience.

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N.E.W

Noble, Edwards and Ward play together. Simple statement, but playing is a serious business. The great cultural historian Johan Huizinga even suggested re-naming our species homo ludens: man-the-player describes the human (sapiens, wisdom, certainly don’t). Play incorporates language, ritual, myth, laughter. Play is at the heart of the interaction of these great players. From the opening riff, with Ward’s scattergun guitar fizzing around Noble’s detonations, the game is on.

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