cave 12

Thisquietarmy is the experimental guitar-based project of Eric Quach from Montreal, Quebec, Canada - active since 2005. Revolving around improvised drone music, he takes his sonic experimentations further by adding textural and structural elements of post-punk, shoegaze, krautrock, post-rock, black metal and doom metal to them. The results can be described as dark, melodic, expansive and engaging dreamscapes. His live performances are mostly presented as a real-time score to hypnotic ethereal visuals, which he creates himself for each performance.

Nels Cline (born in Los Angeles in 1956) is an American guitarist and composer. Currently he is the lead guitarist of the rock band Wilco. Nels began to play guitar at age 12 when his twin brother, Alex Cline took up the drums. Cline is not classically trained. This gives him a unique avant-garde style that many other jazz guitarists fail to match, due to their probable conventional training. He is noted for his apt use of effects pedals and looping devices, which enhances his style and gives his approach to guitar and music a distinct sound.

Read more about Nels Cline on Last.fm.

Multi-Instrumentalist/Composer Ashley Paul uses a unique mixture of saxophone, clarinet, voice, prepared strings and bells to create a dream-like mash of minimalist, psycho-accoustic experiments, floating melodies, metallic clatter and screeching bit-reed tones. She combines these disparate elements to create introverted songs, and intuitive forms. Performing solo, Ashley brings to the stage her own eclectic set-up, forging a dense sound closer to a small band than just one person, often playing multiple instruments simultaneously to accompany sparse melodies from her voice and saxophone.

Read more about Ashley Paul on Last.fm.

John Bohannon's Ancient Ocean is filled with shimmering ambiance made from guitar and samples. Building from silent humming tones, guitar melodies and delicate tonal drones envelope into lush soundscapes. Moods are similar to Stars of the Lid and various solo works of Kawabata Makoto, but carry their own majestic quality. As the album progresses, the longest track features Daniel Carter on saxophone and adds a tender experimental jazz element to the brooding guitar textures.