Naked City
Naked City was an avant-garde music group from New York City, New York, United States led by saxophonist and composer John Zorn, performed from 1988 to 1993. The ensemble was notable for remaining unconfined to any musical category, juxtaposing unrelated styles of music often within individual compositions at breakneck speed. Its music incorporated recognizable elements of jazz, grindcore, surf, classical, thrash, country music, punk rock and other genres. Carl Stalling has been cited as an influence on Zorn and the work of Naked City.
Paul Metzger
In 1979, Paul Metzger drilled a few innocent holes into a Yamaha acoustic guitar. A self taught musician with 5 years of playing behind him, Metzger was growing tired of the conventions of the instrument. This lobotomy was the first of many surgeries that would follow in years to come. Strings were added, subtracted, added again; the frets of the neck were disemboweled and retrofitted with a sarod like metal fingerboard plate; paint was splattered over it, a rejigged music box was affixed to the guitar's belly, a crash cymbal mounted to its bottom.
Phosphor
1) German NDW punk band, existing around 1980. Released 2 self-called EP's & a record called "Frisch & Fruchtig" in 1981. 2) Another german group from 2000 3) American/Canadian Artist who produces Hardcore (Rave/Techno) music. Name is spelt in lower case (phosphor)
More info on Phosphor (2)
Burkhard Beins : percussion, objects
Axel Dörner : trumpet, laptop
Robin Hayward : tuba
Annette Krebs : electro-acoustic guitar
Andrea Neumann : inside piano, mixing desk
Borbetomagus
Borbetomagus are a free improvisation group.
Borbetomagus formed in 1979 when saxophone players Jim Sauter and Don Dietrich collaborated with electric guitarist Don Miller; bass guitarist Adam Nodelman was briefly a member. Their music has been described as "a huge, overpowering, take-no-prisoners mass of sound." One extended technique they use is called "bells together" where Sauter and Dietrich physically place the openings of their saxophones against each other.
Lionel Marchetti
Lionel Marchetti was born in France in 1967. His interest in music resides in the qualities of sound. He is one of a handful of artists who in the mid-to-late 1990s took electroacoustic music out of academic studios and into the free improvisation ring. A scholar who worked at the CFMI (Lyon) and GRM (Paris) studios and published a book on acousmatic composer Michel Chion, Marchetti developed a set-up of microphones and loudspeakers he uses on stage along with tape recorders, prepared CDs, motors and radios.
Kenny Garrett
Kenny Garrett is a jazz saxophonist. He was born in Detroit, Michigan in 1960. His father was a tenor saxophonist. Kenny's career took off when he joined the Duke Ellington Orchestra in 1978, then led by Duke's son, Mercer Ellington. Three years later he played in the Mel Lewis Orchestra (playing the music of Thad Jones) and also the Dannie Richmond Quartet (focusing on Charles Mingus's music). In 1984 he earned a shot at his first album as a band leader, "Introducing Kenny Garrett". From there, his career has exploded into 11 albums (as a leader) and numerous grammy nominations.
George Lewis
There are 2 different jazz musicians named George Lewis's listed here, bios of both follow: 1. A New Orleans based traditional jazz clarinetist (born 1900 - died 1968), a contemporary of Bunk Johnson and Kid Ory, the streaming audio on Last.fm is all by George Lewis 1. 2. A modern computer-interfacing trombonist and composer born 1952 in Chicago who has played with numerous current artists including on Laurie Anderson's album Big Science. Bios
Keith Rowe
There are at least two artists called Keith Rowe. One is an improviser, playing guitar and assorted toys since the 1960s as a solo artist as well as with AMM and MIMEO. The other is a reggae artist best known for his work with Lee "Scratch" Perry in the 1970s.