The avant-jazz guitarist Mary Halvorson has been making a stir in downtown New Music circles for a while now. She is noted for her collaborations with the violist Jessica Pavone, among many others. Halvorson's strong 2008 debut, DRAGON'S HEAD features her new trio, comprised of the extraordinarily fluent bassist John Hebert and drummer Ches Smith (of indie-rockers Xiu-Xiu). Together, they make a far-ranging, expansive, and even accessible sound.
Virginia Genta Born 1984 in Italy, Virginia Genta is self-taught and plays saxophone (tenor, soprano, baritone, alto), flutes, clarinet, plus some percussion and keyboards. Since 2003 she’s been working with drummer and percussionist David Vanzan in several projects such as Jooklo Duo, Neokarma Jooklo Trio (or Sextet, Octet, Experience), Golden Jooklo Age, and the Jooklo Finnish Quartet. She started playing music from improvisation while quite young...
The last.fm support team relates there is no way to differentiate bands with the same name, so here is a breakdown. The earliest well known ensemble to use this name was:
The HUB - interactive computer music Since 1985, The Hub has been one of the first "computer network music" ensemble consisting of John Bischoff, Tim Perkis, Chris Brown, Scot Gresham-Lancaster, Mark Trayle and Phil Stone. The Hub grew from The League of Automatic Music Composers:John Bischoff, Tim Perkis, Jim Horton, and Rich Gold.
Evelyn Glennie, born in 1965 in Aberdeen, Scotland, is a virtuoso percussionist. She is the first person in musical history to successfully create and sustain a full-time career as a percussion solo performer. As one of the most eclectic and innovative musicians on the scene today she is constantly redefining the goals and expectations of percussion, and creating performances of such vitality that they almost constitute a new type of performance.
There are two artists who share this name: 1) Mary Oliver (born in La Jolla, California) is a player of viola, violin, and Hardanger fiddle. She received her Master of Fine Arts from San Francisco State University before going on to get her doctorate in Theory and Practice of Improvisation from the University of California, San Diego. 2) Mary Oliver (born September 10, 1935) is an American poet who has won the National Book Award and the Pulitzer Prize. The New York Times described her as "far and away, this country's best-selling poet".
Audio terrorists Talibam! is a NYC duo formed by Kevin Shea (member in bands like Storm & Stress, Coptic Light and People) who plays drums, and Matt Mottel (synth).
In 2007, after several limited CDR releases, they released their first CD studio album on Azul Discografica called 'Ordination of the Globetrotting Conscripts'. For this, they were joined by some of the finest improvisers in New York: Peter Evans (trumpet), Cooper-Moore (piano), Michael Evans (drums), Jeremy Wilms (guitar).
Jack Rose (R.I.P.)
Mike Gangloff
Mikel Dimmick
Patrick Best Psychedelic noise/drone/folk band from Richmond, Virginia. They play dense, large-scale pieces of music that radiate inner warmth. They are influenced by Indian raga, the American primitivism of John Fahey, minimalism, and noise music.
The band comes from Northern Europe, Helsinki, Finland. Murmansk's music has been referred to as indie rock, noise, shoegaze, stoner, psychedelic, alternative, post-punk, krautrock, and even pop. The third Murmansk album will be released 2012. For more info: www.facebook.com/murmansk Murmansk is: Olli (bass), Jari (guitar), Jaakko (drums), Laura (vocs, guitar).
Agathe Max is an experimental violinist from Lyon, France which started her solo project in 2005. Her discography includes three releases so far : Solace the Grizzly (2006), Sonic Live (2007) and This Silver String (2008). She has collabrorated with Yoko Higashi (voices and effects), actors, dancers (Juha Marsalo, Carolyn Carlson), facteur prod (videos). http://www.agathemax.com
Jealousy Mountain Duo — Two-man German band Jealousy Mountain Duo’s self-titled longplayer was released by experimental German label Blunoise, a perfect portmanteau of Jealousy Mountain Duo’s disparate ’60s jazz and noisy, math-rock influences. Jealousy Mountain Duo takes a deconstructivist approach to its experimental blend of post-modern jazz and mathy indie rock, its guitars looping looping and conflicting melodies, its drums working in and out of rhythms, eschewing any semblance of straightforward timekeeping for an abstract counterbalance to the swirl of notes and tones.