post rock | Musicosity

post rock

Saxon Shore

At the time of recording The Exquisite Death... in June 2005, Matthew Doty (guitar, keyboards) was still working with line-up changes, keeping Stephen Roessner (drums, percussion) and Matthew Stone (guitar) as the only full-time members of the live group. It was not until the band's spring 2006 Japan tour that William Stichter (bass) and Oliver Chapoy (guitar, keyboards) came on board full time. The sound of this new, five-member group was what Saxon Shore wanted to capture with a new album.

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MUTEMATH

MUTEMATH is an band which formed in New Orleans, LA, United States in 2003. They consist of Paul Meany (vocals, keytar, keyboards, samples), Roy Mitchell-Cárdenas (bass, percussion), Darren King (drums, samples), and Todd Gummerman (guitar, keyboards, backing vocals). Since MUTEMATH released its first EP in late 2004 and hit the road in 2005, their inherent nature has challenged limitations and expanded parameters.

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Oceans

There are (6) artists with the artist name OCEANS: (1)Oceans were a post-rock, primarily instrumental band from Urbana and Chicago, Illinois formed in the fall of 2005 at the University of Illinois at Champaign-Urbana. Oceans is Ryan Martin, Nick Wakim, Keith Marek, Mike Parkinson, and Luis Belorin. Oceans released a full length album, Nothing Collapses, in early 2009 on Copper Lung Records. Members have gone on to play in Cstvt and Victor! Fix The Sun
www.myspace.com/broceans --- (2)Oceans are an Hardcore/Progressive band based in Burlington, Ontario.

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Codes In The Clouds

‘With a debut record produced by ex-Yourcodenameis:milo man Justin Lockey ready to go in early 09, via Erased Tapes, this Kent-based quintet find themselves on the cusp of what looks to be a very promising career.’ Ones to watch in 2009
– Rock Sound Official Band Website: myspace.com/codesintheclouds Cinematic post-rock pop quintet Codes In The Clouds release debut album 'Paper Canyon’ on May 18 via Erased Tapes.

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Waltz

Waltz is musician Brandon DeHart. Brandon DeHart operates Last View Parable Records and has been composing and recording instrumental music since 2001. In 2003, Brandon DeHart graduated from Miami University - Oxford, Ohio with a degree in Creative Writing. Brandon currently resides in Riverview, Florida. A little bit ambient, a little bit post-rock. Waltz often feels like a soundtrack to a movie, though there's a variety of different techniques used from minimalism to complex electronica. All releases by Waltz are available via Mine, All Mine! Records and Last View Parable Records.

Read more about Waltz on Last.fm.

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These Monsters...

These Monsters are all about crushing riffs, soaring melodies, complex rhythms and excessive volume. These Monsters are currently recording their début album at Foal studios (Hawkwind / My Bloody Valentine / Electric Wizard). These Monsters will be touring the UK, Europe and Japan throughout 2009 and into 2010. Comparisons range from Godspeed You Black Emperor to King Crimson. These Monsters are:
Bass
Drums
Guitar
Saxophone http://www.myspace.com/thesemonsters

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Subtle

Subtle is a music group consisting of artists, producers, rappers, instrumentalists Adam 'Doseone' Drucker, Jeff 'Jel' Logan, Dax Pierson, Marty Dowers, Jordan Dalrymple and Alexander Kort. Although both Adam and Jeff are founding and continuing members of the Anticon music collective, Subtle is not on the Anticon roster. Subtle started as an Oakland, California based band in 2001. While considered by the artists to be "genreless", Subtle has close ties to the and music scene. Alexander Kort has released CDs on anticon's official web store run by astropitch.

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David Behrman

David Behrman (born Salzburg, Austria, August 16, 1937) is a US composer and the producer of Columbia Records' Music of Our Time series. He was also a founding member of the Sonic Arts Union. He toured with the Merce Cunningham Dance Company and has worked with Ben Neill. He was a part of Robert Ashley's Music with Roots in the Aether interview series. He is known as a minimalist composer. His music has often involved interactions between live performers and computers, usually with the computer generating sounds triggered by some aspect of the live performance...

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