ALEA JACTA EST is a french hardcore band from TOULOUSE.
Born in May 2006, they released a demo in 2007 and a split CD in 2008 on 4 independant labels.
They’re working on their first album !
IN THOSE formative moments, names and reputations are built at the drop of a plectrum.
Choosing a name is not easy, so how can you sum up hours of ideas, days of invention in a few simple tongue-tingling syllables?
UV PØP, now that’s a good one. Ultra Violent Pop. A contradiction in terms, maybe, a bright hopeful collective, perhaps. Whatever it sounds like, it’s got to be a blow in the right position, a carefully aimed assault on the senses. It could have been such a con - often what looks convincing on paper falls uncomfortably flat when put into practice.
Camella Lobo & Juan Mendez, a.k.a. Silent Servant.
Drenched in romanticism and soaked in themes of solitude, mortality and love,
Tropic of Cancer's music forms a strangely hypnotic connection with its listener.
Camella Lobo's majestic vocals, warmly cradled by waves of ascending synths,
plangent guitar, and foreboding beats, summon the listener into a world of dark
decadence and delicate beauty.
There have been at least three Wasted Youths. The first Wasted Youth were a punk/new wave group from Canning Town in east London who released several records on the Bridge House label in the late 70s. Similarly to early Only Ones their sound was very Lou Reed influenced. The first two singles "Jealousy" and "I'll Remember You" remain classics of their kind The second (sometimes known as "LA's Wasted Youth") was a band in early 80s from Los Angeles, California, who played classic hardcore punk.
Two are multiple artists with this name: 1) Mushy is a solo experimental electronic project based in Rome, Italy. Among the head figures of the industrial music scene renewal, Valentina Fanigliulo uses the medium of musical expression in order to produce soundscapes which open the door to strangely nightmarish illuminations. The sound architecture is a mixture of loops, burgeoning analog drones, tempestuous noises, spectral chants which rise at the surface.
From the clubs of Melbourne, to the Filmore Irving Plaza in New York City, 2009 has seen The Eternal build a momentum unrivaled by any other Australian independent band in the heavy rock scene. Taking
Flesh Eating Foundation lurk somewhere in the dark spaces between industrial, punk, metal and electronica. Sometimes they rock, sometimes they experiment, sometimes they break stuff. Hailing from the grim and grey midlands of the U.K., they were born in the seventies, moulded by the music of the eighties, pissed off by the 90's and are making some noise about it all in the new millenium. With numerous short run demos and eps under their belt, flesh eating foundation are perpetually unleashing new music, and constantly seek to collaborate and remix with interesting and challenging artists.
There is more than one band with this name. 1. Lowlife was a Scottish post-punk/dream pop band, active from 1985 to 1997. Although never obtaining mainstream popularity, they developed a cult following that continues to this day. Early years: Pre-Lowlife Dead Neighbours was an early-1980s psychobilly band from Grangemouth, Scotland, originally consisting of Craig Lorentson (vocals), David Steel (bass), Ronnie Buchanan (guitar) , and Grant McDowall (drums).
