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The Marmalade

Marmalade were a successful Scottish pop/rock group, originally fronted by the vocalist Dean Ford. Unusually, Marmalade had two bass players, and were originally called Dean Ford & The Gaylords; they released several unsuccessful singles between 1964 and 1966, before changing their name. Their next few singles also failed to chart in the UK, although one, "I See The Rain," was highly praised by Jimi Hendrix and became a Top 40 hit in the Netherlands in 1967.

Read more about The Marmalade on Last.fm.

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Max Steiner

Max Steiner was an Austrian composer who achieved legendary status as the creator of hundreds of classic American film scores. As a child he was astonishingly musically gifted, composing complex works as a teenager and completing the course of study at Vienna's Hochschule fuer Musik und Darstellende Kunst in only one year, at the age of sixteen. He studied under Gustav Mahler and, before the age of twenty, made his living as a conductor and as composer of works for the theater, the concert hall, and vaudeville.

Read more about Max Steiner on Last.fm.

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Miguel Poveda

Born in Badalona (Barcelona), Spain, in 1973 In 2007, he received the National Prize of Music for his great ability as a performer. When he was fifteen years old, he started to sing in the “Peñas Flamencas” circle.
In 1993, after winning four prizes including the “Lámpara Minera” (one of the most prestigious prizes in the Flamenco genre) in the national singing contest, “Cante de las Minas” in La Unión (Murcia-Spain), he started his professional career.

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Franz Waxman

Franz Waxman (December 24, 1906 – February 24, 1967) was a Jewish German American composer, known for his bravura Carmen Fantasie for violin and orchestra, based on musical themes from the Bizet opera Carmen, and for his musical scores for films. Waxman was born Franz Wachsmann in Königshütte (Chorzów) in the German Empire's Prussian Province of Silesia. He orchestrated Frederick Hollander's score for the 1930 film Blue Angel (1930) and wrote original scores for several German films in the early 1930s.

Read more about Franz Waxman on Last.fm.

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Percy Sledge

Percy Sledge (born 25 November 1941 in Leighton, Alabama) is a US-American R&B and performer. Percy Sledge worked in the fields in Leighton before he worked as an orderly at Colbert County Hospital in Sheffield. By the mid-1960s, Sledge was touring the Southeast with the Esquires Combo on weekends and working at the hospital. A former patient who was a friend of producer Quin Ivy introduced the two, an audition followed, and Sledge was signed to a recording contract.

Read more about Percy Sledge on Last.fm.

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Carmen Linares

Carmen Pacheco Rodríguez, born in Linares (Jaén) in 1951, is without doubt a fundamental pillar of all current flamenco singing, she masters a vast repertoire of flamenco styles due to her long experience. Her enormous versatility has allowed her to take part in zarzuelas (a Spanish form of musical drama), plays and several projects involving classical musicians and musicans from the world of jazz. Out of her works, the recording of an anthology of female flamenco singing is the one which stands out.

Read more about Carmen Linares on Last.fm.

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Gabriel Yared

Gabriel Yared (Arabic: جبرائيل يارد) (born 7 October 1949) is a Lebanese-French composer, best known for his work in French and American cinema. Born in Beirut, Lebanon, his work in France included the scores for Betty Blue and Camille Claudel. He later began working with American film directors, winning an Oscar for his score for The English Patient and a nomination for The Talented Mr. Ripley and Cold Mountain.

Read more about Gabriel Yared on Last.fm.

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Kim Weston

Kim Weston (born Agatha Natalie Weston, December 30, 1939, in Detroit, Michigan) is an African American soul singer, and Motown Records alumna. She was signed to the record label in 1963, scoring a minor hit with "Love Me All the Way" (R&B #24, Pop #88). Her biggest solo hits with Motown were "Take Me in Your Arms (Rock Me a Little While)" (R&B #4, Pop #50, 1965; later covered by The Isley Brothers, Blood, Sweat & Tears and The Doobie Brothers) and "Helpless" (R&B #13, Pop #56, 1966; previously recorded by The Four Tops on their Second Album LP).

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