Bob James (born December 25, 1939) is a two-time Grammy Award-winning jazz keyboardist. Though he has recorded a couple of straight jazz albums, most of his recordings contain "pop-jazz" which is a type of instrumental pop music. Bob James was an important figure in turning 1970s fusion jazz more commercial. For their album One on One, Earl Klugh and Bob James received a Grammy award for Best Pop Instrumental Performance of 1981.
Chuck Loeb is a skillful guitarist capable of numerous styles of music, most notably jazz. Loeb's own solo projects have generally been commercially successful crossover jazz, which has "contemporary" or "smooth" jazz. He started playing guitar when he was 11, discovered jazz when he was 16, took lessons from Jim Hall, Pat Metheny and Joe Puma, and attended the Berklee College of Music. Loeb freelanced in New York (with Hubert Laws, Chico Hamilton, Joe Farrell among others) and then in 1979 joined Stan Getz's group for two years.
The Marvelettes were an American singing girl group on the motown label. As Motown's first successful female vocal group, the Marvelettes were most notable for recording the label's first US #1 pop hit, "Please Mr. Postman," and for setting the precedent for later Motown girl groups such as The Supremes and Martha & The Vandellas. In 1996, they were inducted into the Rock & Roll Hall Of Fame.
The Supremes were a very successful motown all-female singing group active from 1959 until 1977, performing at various times doo-wop, pop, soul, broadway showtunes, psychedelia, and disco. One of Motown's signature acts, The Supremes were the most successful African-American musical act of the 1960s, recording twelve #1 hits between 1964 and 1969, many of them written and produced by Motown's main songwriting and production team, Holland-Dozier-Holland.
British synth player, born December 10, 1958. Enjoyed success on the underground dance scene in the early 80's before breaking into the mainstream with "19", an international smash which spent five weeks at number one in the UK. In the latter half of the 1980s he specialised in tv soundtrack work. He made the theme tunes for Top of The Pops and Saturday Live, popular British entertainment shows. Paul now records mainly under the pseudonym Jazzmasters. Early tracks of note include the popular 'Rain Forest' and 'King Tut', both were big dance hits in the U.S.
Lonnie Liston Smith, Jr. (born December 28, 1940 in Richmond, Virginia) is an American jazz, soul, and funk musician who played with important free jazz artists such as Pharoah Sanders and Miles Davis before forming Lonnie Liston Smith And The Cosmic Echoes, recording a number of albums widely regarded as classics in the fusion / Quiet Storm / smooth jazz and acid jazz genres. Lonnie was born into a musical family; his father was a member of Richmond Gospel music group The Harmonizing Four...
Read more about Lonnie Liston Smith & The Cosmic Echoes on Last.fm.
David Grusin (born June 26, 1934 in Littleton, Colorado) is a jazz pianist, composer, and arranger whose works in films and TV have garnered him numerous awards. Grusin has a filmography of about 100 credits with many awards including an Oscar for best original score for The Milagro Beanfield War, as well as Oscar nominations for The Champ, The Fabulous Baker Boys, The Firm, Havana, Heaven Can Wait, and On Golden Pond.
Roy Ayers's group.
Oli Silk plays some nice mellow lines, somewhat like Bob James of Fourplay, although with more prominent orchestration. His melodies are very catchy and engaging. Although not strictly a minimalist he utilizes a sparse approach to make an excellent musical statement.
Kim Weston (born Agatha Natalie Weston, December 30, 1939, in Detroit, Michigan) is an African American soul singer, and Motown Records alumna. She was signed to the record label in 1963, scoring a minor hit with "Love Me All the Way" (R&B #24, Pop #88). Her biggest solo hits with Motown were "Take Me in Your Arms (Rock Me a Little While)" (R&B #4, Pop #50, 1965; later covered by The Isley Brothers, Blood, Sweat & Tears and The Doobie Brothers) and "Helpless" (R&B #13, Pop #56, 1966; previously recorded by The Four Tops on their Second Album LP).