progressive jazz rock | Musicosity

progressive jazz rock

Mike Stern

One of the premier guitarists of his generation, the three-time Grammy nominee was born on January 10, 1953 in Boston. After growing up in Washington D.C., he returned to Boston to study at the Berklee College of Music and got his start as a guitar player with Blood, Sweat & Tears at the age of 22. Following a stint with Billy Cobham's powerhouse fusion band from 1979-1980, Mike moved to New York City and was recruited by Miles Davis and played a key role in his celebrated comeback band of 1981 (which also included bassist Marcus Miller...

Read more about Mike Stern on Last.fm.

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Felix Martin

Felix Martin has become a pioneer of a style of playing for his custom-made instrument called the 14-string guitar. He is known for his abilities to compose innovative, highly complex music and for his personal techniques at playing two-handed tapping on the guitar. Originally from Venezuela, Felix moved to the United States after graduating from high school to attend the prestigious Berklee College as a scholarship winning performer.

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Kombo

Kombo is:
Ron Pedley:
Hammond C3 Organ, Fender Rhodes and Wurlitzer Electric Pianos, Acoustic Piano, Muted Trumpet, Loops
Jon Pondel:
Electric and Acoustic Basses With:
Matt Bissonette: Electric and Acoustic Basses
Steve Ferrone: Drums
Randy Drake: Drums
Luis Conte: Percussion
Sharon Hendrix: Vocals
Everette Harp: Tenor
Stan Martin: Trumpet
Scott Martin: Tenor
Nick Lane: Trombone
Mike Faue: Vibes

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James Blood Ulmer

James "Blood" Ulmer (born February 2, 1942 in St. Matthews, South Carolina) is an American avant-garde and and . Ulmer's distinctive guitar sound has been described as "jagged" and "stinging." His singing has been called "raggedly soulful." Ulmer began his career playing with various ensembles, and first recorded with organist John Patton in 1969. After moving to New York in 1971, Ulmer played with Art Blakey & The Jazz Messengers, Joe Henderson, Paul Bley, Rashied Ali and Larry Young.

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Cyril Neville

Cyril Neville (born in New Orleans, Louisiana, October 10, 1948), is a percussionist and vocalist who first came to prominence as a member of his brother Art Neville's funky New Orleans-based band, The Meters. He later joined Art and his other siblings Aaron and Charles to form The Neville Brothers band upon the dissolution of the Meters in the late 1970's. The youngest, and most politically outspoken of the brothers, his lyrics often contain themes addressing racism, injustice and social issues. In 2006, Cyril Neville toured with the Louisiana Voice Of The Wetlands All Stars."

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Vladimir Ashkenazy

Vladimir Davidovich Ashkenazy (sometimes transliterated Ashkenazi) (Russian: ????????? ?????????? ?????????) (born July 6, 1937) is a Russian conductor and, more notably, a pianist. He was born in Nizhny Novgorod, Russia. Ashkenazy began his studies at the age of 6 and showing prodigious talent, was accepted at the Central Music School at 8. A graduate of the Moscow Conservatory, he won second prize in the prestigious International Frederick Chopin Piano Competition in Warsaw in 1955 and shared first prize in the 1962 International Tchaikovsky Competition with English pianist John Ogdon.

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HipGnosis

There is more than one artist using the name HipGnosis: 1. HipGnosis is a US electronic music producer, Eric Young. With several releases under his belt, he creates psychedelic music similar in style to artists such as Flying Lotus, Hudson Mohawke, Burial, Harmonic 313, Machine Drum, and others. Owing to both a sample-based and synthesis-based creation method, HipGnosis achieves a balance between organic sounds and processed digitalia, remaining ever smooth in the process.

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Yellowjackets

In 1977, Robben Ford assembled a group of veteran session musicians to record his album The Inside Story. The trio of musicians, which included keyboardist Russell Ferrante, bassist Jimmy Haslip and drummer Ricky Lawson, soon discovered a certain "chemistry" and musical affinity that led to their formation of Yellowjackets. The Inside Story being mainly instrumental, Robben Ford's record label wanted him to record another album that was more pop and vocal oriented. The group, known as the Robben Ford Group, preferred to pursue the instrumental route, and a "band within a band" was formed.

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