Branford Marsalis (born August 26, 1960, Beaux Bridge, Louisiana) is an American jazz saxophonist. Branford studied with Alvin Batiste at Baton Rouge's Southern University in 1978, completing his studies at Berklee School of Music, between '79 & '81. He began his professional career in the early 1980s playing with Art Blakey's big band (playing baritone), Clark Terry's band, and Blakey's Jazz Messengers.
http://www.danafuchs.com/ The youngest of six musical children, Dana was raised in Wildwood, Florida. At the age of twelve she joined the First Baptist Gospel Choir and began singing in public. At sixteen she was fronting a popular local band at a roadside Holiday Inn. She moved to New York City at nineteen. She began collaborating with Jon Diamond, a guitarist who had toured with Joan Osborne and W.C. Handy Award winner Debbie Davies. They formed the Dana Fuchs Band. The band was a feature act at a number of clubs, performing with the likes of John Popper, James Cotton, and Taj Mahal.
Anouar Brahem (Arabic: أنور ابراهم) is a Tunisian oud (middle eastern lute) player and composer who is widely regarded as an innovator in his field. Performing for primarily a jazz audience, he fuses arabic classical music, folk music and jazz and has been recording since at least 1991 after becoming prominent in his own country in the late 1980s. Brahem began studying the oud at age 10 under the tutelage of Ali Sitri at the National Conservatory of Music in Tunis. In 1987, after six years in Paris, he spent two years as the director of the Ensemble Musical De Ia Ville De Tunis.
Benny Goodman, born Benjamin David Goodman, (May 30, 1909 – June 13, 1986) was an American jazz musician, known as King of Swing, Patriarch of the Clarinet, The Professor, and Swing's Senior Statesman. Goodman was regarded by some as a demanding taskmaster, by others an arrogant and eccentric martinet. Many musicians spoke of The Ray, Goodman's trademark glare that he bestowed on a musician who failed to perform to his demanding standards.
One of the premier guitarists of his generation, the three-time Grammy nominee was born on January 10, 1953 in Boston. After growing up in Washington D.C., he returned to Boston to study at the Berklee College of Music and got his start as a guitar player with Blood, Sweat & Tears at the age of 22. Following a stint with Billy Cobham's powerhouse fusion band from 1979-1980, Mike moved to New York City and was recruited by Miles Davis and played a key role in his celebrated comeback band of 1981 (which also included bassist Marcus Miller...
David Grusin (born June 26, 1934 in Littleton, Colorado) is a jazz pianist, composer, and arranger whose works in films and TV have garnered him numerous awards. Grusin has a filmography of about 100 credits with many awards including an Oscar for best original score for The Milagro Beanfield War, as well as Oscar nominations for The Champ, The Fabulous Baker Boys, The Firm, Havana, Heaven Can Wait, and On Golden Pond.
Vladimir Davidovich Ashkenazy (sometimes transliterated Ashkenazi) (Russian: ????????? ?????????? ?????????) (born July 6, 1937) is a Russian conductor and, more notably, a pianist. He was born in Nizhny Novgorod, Russia. Ashkenazy began his studies at the age of 6 and showing prodigious talent, was accepted at the Central Music School at 8. A graduate of the Moscow Conservatory, he won second prize in the prestigious International Frederick Chopin Piano Competition in Warsaw in 1955 and shared first prize in the 1962 International Tchaikovsky Competition with English pianist John Ogdon.
There is more than one artist named Ray Brown.
1 - American jazz double bassist
2 - Australian singer/guitarist 1. Raymond Matthews Brown (October 13, 1926
Thomas Mapfumo (born 1945 in Marondera, Zimbabwe) is a Zimbabwean musician known as "The Lion of Zimbabwe" for his immense popularity and for the political influence he wields through his music. Pre-Independence, his songs openly called for the violent overthrow of the government, with lyrics like "Mothers, send your sons to war." Since the white government didn't understand Shona, however, at first they didn't realize how radical the songs were.
Gregorio Allegri (1582