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Charles Lloyd

Charles Lloyd (b. March 15, 1938) is an American jazz musician, playing mostly tenor saxophone along with flute and tarogato.
He started his career by playing together with Chico Hamilton and Cannonball Adderley.
In the latter half of the 60s, his own quartet with Keith Jarrett, Cecil McBee and Jack DeJohnette was one of the most popular jazz bands of the time. Their album Forest Flower is one of the best-selling jazz albums ever.
In the 70s Lloyd was mostly retired from music, but came back in the 80s after being persuaded doing so by French pianist Michel Petrucciani.

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Bob James

Bob James (born December 25, 1939) is a two-time Grammy Award-winning jazz keyboardist. Though he has recorded a couple of straight jazz albums, most of his recordings contain "pop-jazz" which is a type of instrumental pop music. Bob James was an important figure in turning 1970s fusion jazz more commercial. For their album One on One, Earl Klugh and Bob James received a Grammy award for Best Pop Instrumental Performance of 1981.

Read more about Bob James on Last.fm.

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Dave Grusin

David Grusin (born June 26, 1934 in Littleton, Colorado) is a jazz pianist, composer, and arranger whose works in films and TV have garnered him numerous awards. Grusin has a filmography of about 100 credits with many awards including an Oscar for best original score for The Milagro Beanfield War, as well as Oscar nominations for The Champ, The Fabulous Baker Boys, The Firm, Havana, Heaven Can Wait, and On Golden Pond.

Read more about Dave Grusin on Last.fm.

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Yellowjackets

In 1977, Robben Ford assembled a group of veteran session musicians to record his album The Inside Story. The trio of musicians, which included keyboardist Russell Ferrante, bassist Jimmy Haslip and drummer Ricky Lawson, soon discovered a certain "chemistry" and musical affinity that led to their formation of Yellowjackets. The Inside Story being mainly instrumental, Robben Ford's record label wanted him to record another album that was more pop and vocal oriented. The group, known as the Robben Ford Group, preferred to pursue the instrumental route, and a "band within a band" was formed.

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