glitch | Musicosity

world's end girlfriend

World's End Girlfriend is a Japanese composer whose work blends complex sound structures with beautiful melodies, reaching from electronic glitch to jazz-infused rock to modern classical. Captivating, enthralling and like nothing you’ve heard before, WEG makes for a surprising yet central addition to London contemporary music label Erased Tapes. His brand new album ‘SEVEN IDIOTS’ will finally be released outside of Japan this April.

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contemporary classical

Instrumental music that makes you feel-group tag radio

darker than the deepest sea

experimental electronic

creepy sounds of the future

robots have feelings too

techno

the illest nigga on the block

i am a child in a field and i grow things in my dreams to wake and water them to go to sleep and raise them from the earth into existence from an idea to physical existence what power what madness a gentle madness an eleven year olds madness

I like tripping while listening to it

instrumental post-rock

a journey of self thought and inner clarification

da da dammmm dammm dammmm

found through audioscrobbler

experimental japanese ambient post rock

unimaginable brilliance

Experimental post-rock

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Pixel

There are multiple artists that use the name Pixel:
(1) Former Jazz saxophonist Jon Egeskov, a sound musician who creates experimental sounds in the ambient, minimal, and glitch realms.
(2) Eli Biton Tal, a psychedelic trance producer from Israel.
(3) Daisuke Amaya, a Japanese video game producer (a.k.a. "Studio Pixel").
(4) Kwesi Dawes, who makes downtempo/jazz based music from the UK/US.
(5) An MC from the UK.
(6) A Sims girl group who sing in the Simlish language.

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Deaf Center

Deaf Center are collaborators Erik Skodvin (AKA Svarte Greiner, Xhale, Solitaire Albread) and Otto Totland (AKA Supine, Nest), operating out of Norway since 2003. Old classmates, they finally decided to write music together and ended up creating the Neon City EP, soon followed by the full length album, Pale Ravine. http://www.deafcenter.net
http://myspace.com/deafcenter

Last.fm Tags:

contemporary classical

dark ethereal ambient

melancholic

neoclassical

type

bands i need to check out

SOLOMUSIKA-dark ambient

high resonance frequency

epik

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Dakini

Dakini has been know for captivating dancefloors at festivals all over Australia and NZ since 1999, evolving through genre after genre of hypnotic sonics over the years. Founder of Submerge Chill Festival in Australia, she has contributed extensively to the international festival community for the last 9 years as an artist/promoter/writer/creator. She currently resides in NZ, where she is working on producing her first album.

Datassette

The Datassette project is a series of electronic music recordings by John M Davies, and as the name would suggest there is a heavy influence of the C64 SID Chip at work here. The Datashat Project is a pseudonym used for dodgy bastard pop remixes and DJ appearances. This description as well as free mp3's can be found at http://www.datassette.net.

Datassette on Last.fm.

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mrSimon

mrSimon is a computer animator in the gaming industry (For games such as LEGO Rock Band) who creates music as a hobby in his spare time. While tracks from 2001 to 2007 were traditional compositions, mrSimon began to focus on a dedicated style from 2008, with the release of "GAYCORE" and "There's a party in my head and you're all invited". Since 2010, he has dabbled in tracks influenced by French House (Such as CLIFFCORE and Diamond Dreams) to ambient glitch (For instance...

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Ryoji Ikeda

Born in 1966, Japan's leading electronic composer Ryoji Ikeda (池田亮司) focuses on the minutiae of ultrasonics, frequencies and the essential characteristics of sound itself. His work exploits sound's physical property, its causality with human perception and mathematical dianoia as music, time and space. Using computer and digital technology to the utmost limit, Ikeda has been developing particular "microscopic" methods for sound engineering and composition.

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Thomas Fehlmann

Now that his work with The Orb has earned him a place in electronic music history, Fehlmann is afforded the artistic license to transcend all previous boundaries. His musicality and experimentalist drive converge with exceptional grace and system-bumpin' appeal. Granular hip-hop grooves and exotic chord structures interface with bold, synthetic finesse, while his housier inner child locks down some precision dance-floor cuts immersed in fluidly manipulated filtration.

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