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Matteah Baim

Matteah Baim is a folk musician from New York, United States. She began writing music with Sierra Casady in 2005 for Metallic Falcons. After the band disbanded, she continued with a solo career in 2006, releasing her first solo album Death of the Sun in 2007. Matteah's music is described as disparate, haunted folk that roll over your senses like desert clouds. With the help of a few friends Jana Hunter, Devendra Banhart, and Rob Doran she has taken her palate of lonesome inky textures and blown it dry with a wanderer's spirit.

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Anika Moa

Anika Moa (born 21st May 1980) is a singer-songwriter from Christchurch, New Zealand. While still at school in Christchurch, Moa entered the 'Smokefree Rockquest'.
She received a record deal with Warner Music in New Zealand and Atlantic Records in New York. The record company had big commercialized plans for her - which conflicted with her brash down-to-earth personality. Overall Moa did not enjoy her time in America and returned to base herself in New Zealand. Her first album was released in 2001.

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Mournful Congregation

Mournful Congregation is a band from Adelaide, Australia, founded in 1993.
The music revolves around melodies on electric and/or acoustic guitar and is further characterised by minimal drums, deep growled and whispered vocals. Main lyrical themes are personal spirituality, mysticism and depression.
In 2009, the band performed live for the first time in their 15 year existence, with 4 Australian shows, and another 17 shows throughout Europe to promote their 2009 album "The June Frost".

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Duarte Lobo

Duarte Lobo (1565? in Alcáçovas?-September 24, 1646 in Lisbon) was a Portuguese composer of sacred music. He was among the most prominent figures of the "golden age" of Portuguese polyphony, along with such names as Manuel Cardoso and Filipe de Magalhães. Lobo, also known under his latinized name Eduardus Lupus, began his musical career studying under the famous Manuel Mendes. He thence worked his way up to the position of mestre de capela at the Lisbon cathedral, one of the most prestigious musical appointments in Portugal.

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Alexander Scriabin

Alexander Nikolayevich Scriabin(Александр Николаевич Скрябин) (1872-1915, Moscow) was a Russian composer and pianist. Many of Scriabin's works are written for the piano; the earliest pieces resemble Frédéric Chopin and include music in many forms that Chopin himself employed, such as the etude, the prelude and the mazurka. Later works, however, are strikingly original, employing very unusual harmonies and textures.

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Jules Massenet

Jules Émile Frédéric Massenet (May 12, 1842 – August 13, 1912) was a French composer from Montaud, France, who was best known for his operas. His compositions were very popular in the late 19th and early 20th centuries, and he ranks as one of the greatest melodists of his era. Soon after his death, Massenet's style went out of fashion, and many of his operas fell into almost total oblivion. Apart from Manon and Werther, his works were rarely performed. However, since the mid-1970s, many operas of his such as Thaïs and Esclarmonde have undergone periodic revivals.

Read more about Jules Massenet on Last.fm.

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Shelagh Mcdonald

Originally from Scotland, Shelagh McDonald moved to London in the late 1960s, where she was part of the folk-music scene. In 1970 she released her first album, Shelagh McDonald Album, which sold rather poorly. 1971's Stargazer sold better, and was critically acclaimed. However, some time after its release, McDonald disappeared and wasn't heard from again until quite recently. Shelagh McDonald's music is close to that of some of her contemporaries, for example, Sandy Denny, Nick Drake, and Duncan Browne.

Read more about Shelagh Mcdonald on Last.fm.

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Lettuce

(...)It was 1992 at the Berklee School of Music, and a few high school summer session kids exploded onto the Boston jazz scene with killer chops and bottomless energy. Drawn together at the altar of funky soul, Eric Krasno, Sam Kininger, Adam Deitch, Erick Coomes, Jeff Bhasker, and Ryan Zoidis began taking over local clubs and jam nights on borrowed sound equipment. Brash and precocious, the guys always got what they needed: "Let us borrow your gear." "Let us play one more tune." "Let us crash on your couch." Thus Lettuce ("Let us...") was born, and the funky gospel found another apostle.

Read more about Lettuce on Last.fm.

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