Helena Gough
Helena Gough is an English sound artist currently based in Berlin Her first two solo releases can be found on the Entr
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Anthony Pateras
Anthony Pateras (b.1979) is a multidisciplinary musician living and working in Melbourne, Australia. Solo, he appears on piano or analogue electronics, and composes written works for ensembles, orchestras and soloists. His main bands are Pateras/Baxter/Brown freeform acoustic noise-jazz, an electro-acoustic duo with Robin Fox, the free-grind project PIVIXKI (with Max Kohane) and noise sculptors POLETOPRA (with Marco Fusinato).
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Boca Raton
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Jonty Harrison
Jonty Harrison is an electroacoustic composer and sound diffusionist based in Birmingham, UK. He is responsible for the BEAST sound diffusion system at Birmingham University.
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Ned Bouhalassa
Ned Bouhalassa (born Le Mans, France, 25 August 1962) is a composer of electroacoustic music, film scores, and television scores. Bouhalassa is a Canadian citizen, and has been residing in Montreal since 1967.
A student of composer Francis Dhomont, and professor Kevin Austin, he has been composing electroacoustic music since 1987. Regularly programmed at Montreal's Elektra and Réseaux festivals, his concert music has also been heard around the world. Since the late 1990s, he has been exploring hybridization by combining electronic beats with electroacoustic soundscapes.
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Asmus Tietchens
Asmus Tietchens is a German electronic musician who has pursued "absolute music" through an almost mathematical process of rigid formal exercises. With strong ties to Karlheinz Stockhausen's early electronic work, Tietchens specializes in irregular patterns of sonic abstractions that are suspended in gray drones to create cold textural voids from external references.
His music is often inspired and refers to the texts of the philosopher E.M Cioran.
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Pete Stollery
Pete Stollery is a composer, teacher and performer based in Aberdeen, in the North East of Scotland. He composes almost exclusively in the electroacoustic medium, particularly music where there exists an interplay between the original "meaning" of sounds and sounds existing purely as sound, divorced from their physical origins. In his music, this is achieved by the juxtaposition of real (familiar) and unreal (unfamiliar) sounds to create surreal landscapes. He is also active in music education in schools, both as a researcher and as a creator of resources.
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BJNilsen
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Gum
Back in the late '80s, Melbourne's Andrew Curtis and Philip Samartzis collaborated in the aurally volatile project simply called Gum. With little expertise or training, the two gathered up what objects they were familiar with, in particular thrift store turntables and soiled records. Eschewing their original attraction to the giants of Industrial Culture, Gum quickly developed an aesthetic privileging the caustic rupture of skipping records and smoldering surface noise, predating the current avant-turntablist aficionados like Philip Jeck, Janek Schaefer, and Otomo Yoshihide.
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Lionel Marchetti
Lionel Marchetti was born in France in 1967. His interest in music resides in the qualities of sound. He is one of a handful of artists who in the mid-to-late 1990s took electroacoustic music out of academic studios and into the free improvisation ring. A scholar who worked at the CFMI (Lyon) and GRM (Paris) studios and published a book on acousmatic composer Michel Chion, Marchetti developed a set-up of microphones and loudspeakers he uses on stage along with tape recorders, prepared CDs, motors and radios.
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