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Rhys Chatham

Rhys Chatham (b. New York City) is an American avant-garde composer, guitarist, and trumpet player. He currently lives in France. In the early 1970s Chatham was the first music director of The Kitchen in New York. His early compositions owed a significant debt to La Monte Young and other minimalists. His concert productions included experimenters Maryanne Amacher, Robert Ashley, Philip Glass, Meredith Monk, Pauline Oliveros, Steve Reich, and early alternative-rockers such as Brian Eno, Robert Fripp and Fred Frith.

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Black To Comm

Black To Comm is an alias for Dekorder label owner Marc Richter's audio excursions. Richter creates his music using scratchy shellac and vinyl records, field recordings, a so called "kitchen gamelan," and more traditional instruments like organs, guitars, pianos and mbiras. The layering and hypnotic repetition of short loops from Psychedelia, Free Jazz, Vaudeville, and various other old recordings reveals alternative melodic dimensions not apparent in the source material.

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Martin Bizarro

Martin Bizarro is a British sound artist, lyricist, adventurer and beetroot skinner, whose lo-fi casio mashups and musique concrete have been played on youtube by over two people, including himself. He used to hang around with Neil Campbell and Richard Youngs a bit, and now pesters the A Band on an irregular basis.

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Slow Listener

Boomkat review of:
SLOW LISTENER - Snow Failing From A Blue Clear Sky
I haven't concealed my deep love for the beautifully presented Ruralfaune label, but here's where it gets really special. Slow Listener come from Brighton, but you couldn't guess from the music - he manages to produce a shockingly beautiful long-form pieces of hissing, degraded beauty which defies easy comparison although I guess the most obvious link would be to William Basinski, who shares a similar love for the slow and degraded sounds of old tapes.

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Monarch

Monarch is a name that has been used more than once.
1) Filthy, dirty sludge doom band from France, with a female vocalist. Also see Monarch! ------------------- 2)
Monarch, originally from Pittsburgh PA, signed to Northern Records of Orange County where they released "The Grandeur That Was Rome" in 2003 and "Lowly" in 2007, featuring collaborations with members of the bands OneRepublic, Pedro the Lion, and Starflyer 59. As their music has been dubbed as “melodic-driven indie pop,” Monarch has been compared to bands like Elbow, Sigur Ros, Keane, and Denali.

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Planning for Burial

Following the release of the underrated Leaving (on Enemies List, home of Have A Nice Life) Planning For Burial has been sporadically popping up in live venues (sharing the stage with a wide breadth of musical compatriots from Chelsea Wolfe to Deafheaven while seeming out of place at none) along the east and west coasts and releasing a slew of EPs and splits over the last 3 years (all while writing and recording a mythical second album that has been dangled in front of his obsessive fans as coming soon for almost three years).

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Stitched Vision

Stitched Vision is the project of Jason Campbell, formed in 2009, once global roamer now fringe-dwelling citizen of Newcastle, New South Wales, Australia. His pedal-heavy synthscapes are neither nostalgic nor futuristic, but rather channel the current plight of his city of residence, unfolding as explorations of urban decay and cultural regeneration. Understated melodies sheathed in - pitting the organic against the - mark Campbell's work and come to symbolise Newcastle

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Stars of the Lid

Stars of the Lid are a band specializing in -based music. They list among their influences minimalist and electronic composers such as Arvo Pärt, Zbigniew Preisner, Gavin Bryars, and Henryk Górecki, as well as Talk Talk (both bands have tracks named "Taphead"), post-rock artists Labradford, and ambient innovator Brian Eno. Their music largely consists of beatless soundscapes, composed of droning, effects-treated guitars along with piano, strings, and horns; volume swells and feedback fill the gap of rhythmic instruments, providing dynamic movement within the songs.

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Robert Curgenven

Robert Curgenven (1974) works with harmonics, textures and resonance as articulated not only through instruments/objects, in space and place, but also in time and the dislocation of the remote, exploring slowly shifting layers in the fabric of fields of perception. Creating vast landscapes from carefully detailed recordings through to immersive resonances via deft manipulations of sound pressure - described by one audience member as “like a punch in the face while elsewhere flowers bloomed.“

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