Zac Keiller
Now he has a machinegun, ho ho ho.
Now he has a machinegun, ho ho ho.
Andrew Chalk has been active since 1985 as Ferial Confine and worked with many associates over the years, such as David Jackman (Organum), Vortex Campaign, The New Blockaders, Darren Tate (Ora), Giancarlo Toniutti, Jonathan Coleclough, Robin Barnes (Isolde), Brendan Walls and Christoph Heemann (Mirror). He has released a number of releases under his own name which have won widespread acclaim, on labels such as Robot Records (for "Crescent") and Christoph Heemann's Streamline label (for "Over The Edges").
Kevin Drumm is an experimental musician based in Chicago, Illinois, United States. Emerging from the city's improvised music scene, in the 1990s he became one the world's pre-eminent prepared guitar players. Years active from 1991. Drumm's work expanded to include electroacoustic compositions and live electronic music made with laptop computers and analog modular synthesizers. He has collaborated with many artists working in similar fields, including Japanese guitarist Taku Sugimoto, multi-instrumentalist and producer Jim O'Rourke...
Having developed her very own language, the Swedish sound artist
Hanna Hartman creates compositions that are exclusively made up from authentic sounds which she has recorded around the world. Sounds are taken out of their original context and thus perceived in their purity. Hanna Hartman seeks to reveal hidden correspondences between the most diverse auditive impressions and in new constellations she creates extraordinary worlds of sound.
French sound sculptor Jean-Luc Guionnet (1966) is a jazz saxophonist who has recorded with a number of free improvisers: Erres (Shambala, 1999), with the group Schams (Eric Cordier on hurdy-gurdy, Eric Bruelebois on drums); Improvisation vol 1 (La Belle Du Quai, 1999), credited to Calx, a duo of drummer Edward Perraud and Guionnet; Return Of The New Thing (Leo, 2002), documenting a 2000 live performance by a quartet with Dan Warburton (piano), Francois Fuchs (double bass) and Edward Perraud (drums); Heur (2002), a collaboration with drummer Edward Perraud; etc.
The full name of DDAA is Déficit Des Années Antérieures.
DDAA was an obscure group of radical experimental noise makers used improvisation and collage to craft strange sounds and deconstructed songs for highly creative music that is as far off the path of conventions as that of similar but more known visionaries like the Residents and Nurse With Wound. In fact, DDAA roughly began the same time as NWW in the late '70s, started by three visual artists, Sylvie Martineau, Jean-Philippe Fee, and Jean-Luc Andre in Lion sur Mer, France.
Robert Curgenven (1974) works with harmonics, textures and resonance as articulated not only through instruments/objects, in space and place, but also in time and the dislocation of the remote, exploring slowly shifting layers in the fabric of fields of perception. Creating vast landscapes from carefully detailed recordings through to immersive resonances via deft manipulations of sound pressure - described by one audience member as “like a punch in the face while elsewhere flowers bloomed.“